A sinistra: Lygia Clark, Estruturas vivas, 1969, in uso,
probabilmente a Parigi nei primi anni '70.L'oggetto è fatto di elastici annodati. Courtesy Associação
Cultural “O Mundo de Lygia Clark,” Rio de Janeiro. A destra: Lygia Clark nel suo studio, Rio de Janeiro, c. 1950s. Courtesy Associação Cultural
“O Mundo de Lygia Clark,” Rio de Janeiro
Lygia Clark, Ping-pong (1966) in uso. Palle da Ping-
Pong balls e busta di plastica. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.
2286
Vista della mostra "Lygia Clark: The Abandonment of Art", 1948-1988 al The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
2286
Vista della mostra "Lygia Clark: The Abandonment of Art", 1948-1988 al The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
2286
Vista della mostra "Lygia Clark: The Abandonment of Art", 1948-1988 al The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
2286
Vista della mostra "Lygia Clark: The Abandonment of Art", 1948-1988 al The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
2286
Vista della mostra "Lygia Clark: The Abandonment of Art", 1948-1988 al The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
Vista della mostra "Lygia Clark: The Abandonment of Art", 1948-1988 al The Museum of Modern Art,
New York. Photo by Thomas Griesel. © 2014 The Museum of Modern Art
fino al 24 agosto 2014
Lygia Clark: The Abandonment of Art, 1948–1988
organizzata da Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, MoMA e Connie Butler, Curatore, Hammer Museum con Geaninne Gutiérrez-Guimarães e Beatriz Rabelo Olivetti, assistenti curatori, Department of Drawings and Prints, MoMA
MoMA
11 West Street, New York