The Abandonment of Art

“Lygia Clark: The Abandonment of Art, 1948–1988” at MoMA is a survey organized around three key themes: abstraction, Neo-Concretism, and the ‘abandonment’ of art.

The Abandonment of Art
The Museum of Modern Art’s major retrospective devoted to the art of Lygia Clark (Brazilian, 1920–1988) is the first comprehensive exhibition in North America of her work.
 “Lygia Clark: The Abandonment of Art, 1948–1988” comprises nearly 300 works, ranging from the late 1940s to the early 1980s, including drawings, paintings, sculptures, and participatory works.
Lygia Clark
Top: Lygia Clark, Óculos, 1968. Industrial rubber, metal, glass. © Courtesy of World of Lygia Clark Cultural Association. Photo: © 2014 Eduardo Clark Above, left: Lygia Clark in her studio working on Arquitetura biológica II (Biologic architecture II). Cité internationale des arts, Paris, 1969. © Alécio de Andrade. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro. Right: Lygia Clark wearing Máscara abismo com tapa-olhos (Abyssal mask with eyepatch), 1968, a work made of fabric, elastic bands, a nylon bag, and a stone, in use. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro. © Sergio Gerardo Zalis, 1986
Drawn from public and private collections, including MoMA’s own, this survey is organized around three key themes: abstraction, Neo-Concretism, and the ‘abandonment’ of art. Each of these axes anchors a significant concept or a constellation of works that mark a definitive step in Clark’s career. While Clark’s legacy in Brazil is profound, this exhibition draws international attention to her work. By bringing together all parts of her radical production, the exhibition seeks to reinscribe her into current discourses of abstraction, participation, and a therapeutic art practice.

until August 24, 2014
Lygia Clark: The Abandonment of Art, 1948–1988
organized by Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, MoMA and Connie Butler, Chief Curator, Hammer Museum with Geaninne Gutiérrez-Guimarães and Beatriz Rabelo Olivetti, Curatorial Assistants, Department of Drawings and Prints, MoMA
MoMA
11 West Street, New York

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