After years of questionable renovations, Park spoke to Domus about the retrofitting of Palazzo Galbani during our visit to the construction site. For just four days, part of the building will be open to the public during Paris Internationale.
In Milan, within the regenerated spaces of BiM, Gianni Pettena reactivates Paper and reasserts a radical stance: architecture is not something you design – it is something you build, and above all, something you live.
On Old Bond Street, Ferrari redefines the idea of a flagship as a cultural device: a layered environment where architecture, display, and brand identity converge. Through interviews with Rocco Iannone, Formafantasma and Gonzalez Haase, the project emerges less as a store than as a staged Officina of design.
In Whittier, Alaska, almost the entire population lives in the same building: an extreme case that makes the modern idea of the self-sufficient building concrete — and problematic — from Le Corbusier's Immeuble-villa to its contemporary developments.
Every April, the well-known event brings attention back to a valley that—between cultural institutions, modernist architecture, and a desert landscape—has much to offer regardless of the concerts.
For this high-density residential complex, Anonimous + G3 + Jesús Vassallo soften the dark, solemn volumes inspired by Brutalism with a lattice of sun-shading screens drawn from local tradition.
Frank Lloyd Wright’s largest project is a campus: Florida Southern College. Built over more than twenty years—shaped by organic utopian ideals, construction challenges, and later transformations—it is now documented in the photographs of Roberto Conte.
From Mies van der Rohe’s crystal towers for Berlin to Renzo Piano’s Shard, the glass façade charts a century of architecture poised between technology and symbolism, evolving from a modernist manifesto into the shared language of a globalized world.
This laboratory-storage facility for biological research, part of the University of Antwerp, breaks away from the typical anonymity of industrial sheds to assert itself as a recognizable architectural object, defined by bold colors and the legacy of the “perfect square.”
QB Atelier has designed a home in Veneto that occupies the spaces of a 20th-century factory and opens onto a secret garden.
In Point Roberts, Scott and Scott reinterpret the North American rural house through exposed timber structures and natural materials.
Art sets the pace and architecture follows
Frederic Migayrou, curator of the exhibition “Aerodream” at the Centre Pompidou-Metz, tells us the aesthetic and social evolution of these majestic inflatable structures, from Second World War until today.
In Narutaki, in Kyoto, the firm has undertaken a project involving a historic Japanese house. The project blends restoration with new construction, creating a space that bridges the past and the present.
From Muzio to Boeri, via Gardella, Magistretti and Rossi: fifteen buildings reveal how Milan has turned housing into a singular architectural tradition between hidden courtyards, terraces, and new urban landscapes.
