Similarly in the Oneiric House, artist Sonia Khurana enters an old building, slated for demolition, and reinterprets the built space. We then review three of the five-episode long exhibition celebrating fifty years of Chemould Art Gallery’s existence in Mumbai and literally the journey of contemporary art in India. Lastly, we examine how a recent campus by Delhi-based Raj Rewal Associates develops a language of symbols and images that add a probably unintended appeal to the labyrinth of its spaces.

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