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Taipei. Un’installazione concepita come una trappola da pesca in scala

Cheng Tsung Feng ha ridisegnato l’ingresso al Museo di Arte Contemporanea elaborando strutture artigianali condivise dall’oggetto nelle diverse culture.

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  • 01 giugno 2018
  • Taipei
  • Cheng Tsung Feng
  • installazione
  • 2018

Un’installazione sperimentale in bambù, rattan e acciaio ora serve da ingresso al Museo di Arte Contemporanea di Taipei. Il giovane artista taiwanese Cheng Tsung Feng ha recentemente completato il pezzo che emana il suo desiderio di ricordare la trappola da pesca, un buon auspicio per il museo.

Fig.1 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.2 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.3 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.4 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.5 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.6 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.7 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.8 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.9 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.10 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.11 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.12 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.13 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.14 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.15 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.16 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.17 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.18 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.19 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.20 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.21 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.22 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.23 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.24 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.25 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.26 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.27 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.28 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.29 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.30 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Fig.31 Cheng Tsung Feng, The Trap, Taipei Museum of Contemporary Art, Taipei, Taiwan, 2018
Img.32 Cheng Tsung Feng, The Trap, modello in scala
Img.33 Cheng Tsung Feng, The Trap, modello in scala
Fig.34 Cheng Tsung Feng, The Trap, modello in scala
Fig.35 Cheng Tsung Feng, The Trap, modello in scala
Fig.36 Cheng Tsung Feng, The Trap, modello in scala
Fig.37 Cheng Tsung Feng, The Trap, modello in scala
Fig.38 Cheng Tsung Feng, The Trap, modello in scala

Il processo di progettazione ha caratterizzato una vasta ricerca sulla trappola da pesca nelle diverse culture. Tale studio ha portato alla scoperta dei tratti comuni nelle variazioni dell’oggetto nelle diverse culture. Nelle parole dell’artista “tra queste diverse trappole da pesca, abbiamo scoperto che esistono metodi di pensiero e modellazione di produzione comuni. Queste culture intangibili nascoste dietro oggetti tangibili sono come esseri viventi che possono crescere in risposta al contesto”.

Leggi anche Best of bambù
  • The Trap
  • Taipei, Taiwan
  • Installazione
  • Cheng Tsung Feng
  • 2018
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