Domus 1047 June issue focuses on the theme of community, reflecting on how the last few months, in which we have shared vulnerabilities and isolation, have made us reconsider the value of community at all levels. David Chipperfield in his editorial analyses the meaning of the word ‘community’ in this sensitive time. The guest editor says that, “our commitment to the idea of community will be put under extreme scrutiny”.
In this month’s Agenda, Eric Klinenberg makes it clear that the strength of a community can influence our life expectations. Rory Olcayto points out that our initial confidence in architecture has cracked after decades of market domination. Vittorio Magnago Lampugnani questions the role of the designer, suggesting that we actively design vital open spaces, studying the ‘memory of strategies’ of historical urban architecture.
Domus 1047 on newsstands: “Looking for community”
In this issue: David Chipperfield visits Tatiana Bilbao’s studio; Vittorio Magnago Lampugnani questions the role of the designer in this delicate moment; Anselm Kiefer designs the house where he spent his childhood and more. Browse the gallery and discover the contents of the June issue.
Text Eric Klinenberg. Photo Doublespace/View Pictures/Universal Images Group via Getty Images
Text Rory Olcayto. Image courtesy Hagley Museum and Library. Philadelphia Saving Fund Society records
Text Vittorio Magnago Lampugnani. Image © Norman B. Leventhal Map Center
Text David Chipperfield. Photo Ana Hop
Text Jorge Carvalho e Pedro Bandeira. Photo Johannes Marburg
Text Jorge Carvalho e Pedro Bandeira. Photo Lluc Miralles
Text Jorge Carvalho e Pedro Bandeira. Photo Iwan Baan
Text Studio Formafantasma. Image Museo Nacional del Prado. © Photo MNP / Scala Firenze
Text Jasper Morrison e Francesca Picchi. Photo courtesy of Deepraj Enterprises, Pune, India
Text and image Anselm Kiefer. Image
Text Jaume Mayol. Photo Luis Díaz Díaz
Text Rik Nys. Photo © Historic Collection / Alamy Foto Stock
Text Carlos Moreno. Photo Getty Images
Text Fulvio Irace. Foto Archivio Domus
Text Giulia Guzzini.
Text Jonathan Griffin. Photo Rainer Jensen dpa/ lbn / Ipa. Novembre / November 2008
Author Thomas Demand
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- La redazione di Domus
- 04 June 2020
David Chipperfiled virtually visits Tatiana Bilbao’s studio, while In Affinity, Portuguese architects Jorge Carvalho and Pedro Bandeira select three residential projects built in post-industrial areas of Barcelona, Zurich and Los Angeles.
In the Design and Art section, studio Formafantasma questions the predominance of human-centered thinking, pushing it to evolve into a more synergistic approach between species and disciplines. The monthly column curated by Jasper Morrison and Francesca Picchi focuses on the qualities that contribute to making a ‘good object’, from initial ideas to use. The artist Anselm Kiefer illustrates the project he is working on to restore the house where he spent his childhood.
Among the Reflections, Jaume Mayol analyses the work of Spanish studio TEd’A Arquitectes by reviewing the drawings of a private home in Palma de Mallorca. Rik Nys analyses the history of prefabricated buildings, drawing a map of the cultural and political implications of this approach. Carlos Moreno explains his project for Paris, a 15-minute City, which has attracted the mayor’s attention. Fulvio Irace revisits Domus under the direction of Ernesto Nathan Rogers, who led the publication in the aftermath of World War II.
In this month’s Diary, pages dedicated to current affairs, Tobia Zevi imagines the city in which we would like to live post-coronavirus. In the section dedicated to art, Valentina Petrucci analyzes how the life of an artist is perceived through the canvas. Loredana Mascheroni describes the project of a house-atelier in Berlin, balanced between minimalism and decorum, while Elena Sommariva, involves us in a conversation with designer Patricia Urquiola. This month’s section ends with a virtual coffee between Walter Mariotti and Gian Arturo Ferrari, deus ex machina dell’editoria, who explains why the spread of culture must rise from the bottom up.
Eric Klinenberg’s research has starkly revealed that the strength of a community can directly influence one’s expected lifespan. He argues that we must recognise the spatial conditions of social infrastructure as a public investment priority. Not only rebuilding our deteriorating public places but also “engineer[ing] civility” into every new project through smarter interdisciplinary collaborations and committed participation.
Rory Olcayto considers how our primitive trust in architecture has been corrupted following decades of domination by the marketplace. To restore it, he argues, architecture should be “ultrapractical”, creating spaces of potential for our bodies and buildings to “learn together” again.
Vittorio Magnago Lampugnani reminds us that “the city is a built community”, and the areas not built on should determine its form, leaving the private sector to occupy the residual spaces instead. However, he advises that we must “actively” design these vital open spaces, studying the “memory of strategies” embedded within our inherited urban architecture “to find solutions for contemporary requirements”.
Adapting to the conditions of lockdown, this month we conduct a virtual visit to the studio of Tatiana Bilbao in Mexico City to talk about her career, recent projects and the future of our profession. Both deeply embedded in the extreme social issues of her country as well as a wider international discourse through teaching and projects abroad, she has developed a highly coherent and engaging form of practice that consistently places the need for community and quality of life at the centre of a project regardless of client or location.
More than Living, Zurich. Duplex Architekten
La Borda, Barcelona. Lacol arquitectura cooperativa
Star Apartments, Los Angeles. Michael Maltzan Architecture
Studio Formafantasma’s definition of design questions the dominance of human-centred thinking, urging it to evolve into a more synergetic approach between species and disciplines. It should be “essential to the development of tools of conversation and exchange”, and is needed more than ever.
In considering the sustainability of design, Jasper Morrison and Francesca Picchi explain how we must also pay better attention to the full range of qualities that make a “good object”,
from initial ideas through to consumption.
This month we publish artist Anselm Kiefer’s ongoing project to restore the house in which he spent his childhood. Renowned for his often-monumental works exploring myths, history and collective memory, this ongoing project focuses on a more personal world.
Jaume Mayol explains the design methodology of TEd’A Arquitectes while reviewing the drawings for a private house in Mallorca which allowed the team “to find the rules” of the project before building on site.
Rik Nys considers the history of prefabricated constructions, charting the cultural and political associations of this approach. The ability to build faster and cheaper, as well as greener, could go a long way to addressing housing shortages today but we must not repeat the recent mistakes of compromising on quality of life in the process if it is to be a lasting solution.
In Paris, Carlos Moreno’s proposal for a 15-minute city has gained the mayor’s attention. Perhaps more relevant than ever, his “chrono-ubanism” aims to reduce commuter travel and increase local community in the capital.
Fulvio Irace revisits Domus under the editorship of Ernesto Nathan Rogers, who led the publication in the aftermath of World War II. His call to “build society” offers inspiration for how we might respond to our own uncertain times in words and plans.
Being forced to stay at home for weeks on end on account of the lockdown imposed by the Covid-19 health emergency has driven many of us to find unconventional ways to connect with colleagues, friends, school and family. Many of us have spent this time in our own homes trying to get used to the radical change in lifestyle that the virus has brought with it. Now that we have begun to think about an end to the crisis and what the world will be like afterwards, let us look with confidence at this newfound centrality of the domestic sphere that will probably lead many to want to invest in improving their living spaces.
The Berliner Stadtschloss stood in the centre of Berlin from the 15th century and was home to successive kings of Prussia and German emperors. In 1950, its war-damaged remains were blown up by the East German, and in 2007, the German Bundestag agreed that three sides of the Stadtschloss would be recreated around a modernist core, adopting the layout of the original building. Thomas Demand has depicted a fusion of these divergent approaches.