From 2020 to 1920, the exhibition "Home Stories" at the Vitra Design Museum will retrace the modern history of interior design through 20 iconic projects. From 8 February to 23 August, Adolf Loos, Lina Bo Bardi, Verner Panton, Assemble... will gather in the museum's exhibition spaces in Weil am Rhein to tell a story that concerns not only architecture and product design (and their disciplinary conflict) but also visual arts and stage design.
Curator Jochen Eisenbrand divides the last century into five parts, summarising the main issues that led to the definition of the contemporary home: from the birth of the modern interior (1920-40) to the spaces, economies and atmospheres of the 2000s.
Interior design evolution at Vitra Design Museum
With 20 iconic locations, from Mies’ Villa Tugendhat to Warhol’s Factory, “Home Stories - 100 Years, 20 Visionary Interiors” displays the modern history of interior design.
© Panton Design, Basel
© picture alliance / ASSOCIATED PRESS
© Future Documentation / Erica Overmeer / Courtesy of Brandlhuber+ Emde, Burlon
© Noritaka Minami
© Nelson Kon, 2002
© elii [oficina de arquitectura], photo: Imagen Subliminal – Miguel de Guzmán + Rocío Romero
Courtesy of the artist and Hannah Barry Gallery, London
© IKEA
© Peter Aaron/ OTTO
© Daily Mail
© Archive Štenc Praha/ VG Bild-Kunst Bonn, 2019
© MAK
© Nat Finkelstein Estate
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- Salvatore Peluso
- 07 January 2020
- Weil am Rhein
While 2019 was entirely dedicated to the celebration of the birth of Bauhaus, the school that gave a fundamental impulse to industrial design, the beginning of this new decade has been identified by many as the ideal time to recapitulate the developments of the last 100 years. In particular, in addition to the usual year-end lists and charts, in recent weeks a very long New York Times special, entitled "The 25 rooms that influence the way we design" and Phaidon's book "Interiors: The greatest rooms of the century" have been published.
Among the selections cannot but make immediate comparisons: surely there will be someone who will have his say, claiming the absence of Joe Colombo's Visiona 1, no less important than the mythical room that the Memphis furnished for the collector Karl Lagefeld in 1982, others will argue the greater importance of the suite in "2001: A Space Odyssey" compared to Andy Warohl's New York Factory... Apart from subjective preferences, however, the various projects (editorial or exhibition) seem to go in the same direction, asking the same fundamental question: "How do we want to live?". The exhibition at the Vitra Design Museum will not be didactic and will propose a narrative of that includes also very recent projects such as those of the Elii, Assemble and Brandlhuber+ Emde studios, looking at contemporary design themes and strategies and with an eye to future prospects.
- Home Stories. 100 Years, 20 Visionary Interiors
- 8 February– 23 August 2020
- Jochen Eisenbrand
- Anna-Mea Hoffmann
- Space Caviar
- Vitra Design Museum
- Charles-Eames-Straße 2, Weil am Rhein, Germany
Verner Panton, Phantasy Landscape nella mostra Visiona 2, Colonia, Germania, 1970
Richard Nixon and Nikita Khrushchev debating at the American National Exhibition in Moscow, Russia, 1959
Brandlhuber+ Emde, Burlon, Antivilla, Krampnitz, Germany, 2010–15
Noritaka Minami, A504 I (Nakagin Capsule Tower, Tokyo, Japan), 2012
Lina Bo Bardi, Casa de Vidro, São Paulo, Brazil, 1952
elii [oficina de arquitectura], Yojigen Poketto Apartment, Madrid, Spain, 2017
Marie Jacotey, Granby N48 (drawing of the housing project Granby Four Streets by Assemble, Liverpool, UK, 2013-today), 2016
IKEA, copertina del catalogo, 1974
Michael Graves, Reinhold Apartment, New York, USA, 1979-81
Alison and Peter Smithson, House of the Future, 1956
Ludwig Mies van der Rohe, Villa Tugendhat, Brno, Czech Republic, 1930
Josef Frank, Villa Beer, Vienna, Austria, 1929
Nat Finkelstein, Factory Panorama with Andy Warhol, New York City, USA c. 1965