Domus 1021 on newsstands

Time, care, conscience and heritage are the main themes of the February issue, the second directed by Michele De Lucchi.

Domus February issue, the second directed by Michele De Lucchi, is themed “Time”. It defines the object value in relation to the moment when it was made. The concept of time separates “old” from “ancient” and distinguishes the attribution of a historical-documentary value from a practical- functional value, a relevant issue in the debate between heritage commissions and the business.

Alessandro Chemollo, veduta della Basilica di San Marco con il gruppo dei Tetrarchi e la colonna della Pietra del Bando, Venezia
Roy Villevoye, Madonna (After Omoná and Céline), 2008. 164 x 56,5 x 46,5 cm. Collezione Nationaal Museum van Wereldculturen, acquisizione Tropenmuseum Amsterdam
Alessandro Chemollo, veduta della Basilica di San Marco con il gruppo dei Tetrarchi e la colonna della Pietra del Bando, Venezia
Stefano Boeri Architetti, Centro polivalente e di Protezione civile, Norcia, Italia, 2017
Stefano Boeri Architetti, Centro polivalente e di Protezione civile, Norcia, Italia, 2017
Neue Nationalgalerie. Il restauro di David Chipperfield Architects Berlin. Foto © Ute Zscharnt per David Chipperfield Architects
Neue Nationalgalerie. Il restauro di David Chipperfield Architects Berlin. Foto © Ute Zscharnt per David Chipperfield Architects
Neue Nationalgalerie. Il restauro di David Chipperfield Architects Berlin. Foto © Ute Zscharnt per David Chipperfield Architects
Fotogrammi del film The Thoughts That Once We Had di Thom Andersen (Grasshopper Film, USA, 2015)
Fotogrammi del film The Thoughts That Once We Had di Thom Andersen (Grasshopper Film, USA, 2015)
Dettagli dello studio di Broadway di Francesco Clemente. Foto di Jean Marie del Moral
Cara Domus. Cherubino Gambardella
Attività della Casa do Povo di San Paolo, Brasile. Sopra: una delle “Residência para Coletivos”, residenze artistiche della durata di due mesi
Formafantasma. Ore Streams
Stefano Graziani, Praga, 2017. Stampa a getto d’inchiostro, 96 x 121 cm. Foto di Villa Müller (Maria Szadkowska, curatrice di Villa Müller) di Adolf Loos, 1928, TheCityofPragueMuseum
Stefano Graziani, Montreal, 2017. Stampa a getto d’inchiostro, 96x121cm Foto di un modello di Cedric Price per il Fun Palace, 1964 circa. 53,4 x 123,3 x 79,1 cm. DR1995:0188:524, Cedric Price fonds, Canadian Centre for Architecture, © CCA
Steven Holl Architects, Maggie’s Centre Barts, London, 2017. Photos Angus Mill
Steven Holl Architects, Maggie’s Centre Barts, London, 2017. Photos Angus Mill
Steven Holl Architects, Maggie’s Centre Barts, London, 2017. Photos Angus Mill
Steven Holl Architects, Maggie’s Centre Barts, London, 2017. Photos Angus Mill
Edificio M+, Shenzhen © Herzog & de Meuron. Courtesy of Herzog & de Meuron and West Kowloon Cultural District Authority
Edificio M+, Shenzhen © Herzog & de Meuron. Courtesy of Herzog & de Meuron and West Kowloon Cultural District Authority
Mark Dion, Salvataggio dell’HMS Colossus, 2013. Oggetti, conchiglie, spugna, cirripedi, alghe secche, intonaco, pittura acrilica. Collezione Maurizio Morra Greco, Napoli
Neri & Hu, Tsingpu Yangzhou Retreat, Yangzhou, Cina, 2017. Foto Pedro Pegenaute
Neri & Hu, Tsingpu Yangzhou Retreat, Yangzhou, Cina, 2017. Foto Pedro Pegenaute
Neri & Hu, Tsingpu Yangzhou Retreat, Yangzhou, Cina, 2017. Foto Pedro Pegenaute
Neri & Hu, Tsingpu Yangzhou Retreat, Yangzhou, Cina, 2017. Foto Pedro Pegenaute
Neri & Hu, Tsingpu Yangzhou Retreat, Yangzhou, Cina, 2017. Foto Pedro Pegenaute
Neri & Hu, Tsingpu Yangzhou Retreat, Yangzhou, Cina, 2017. Foto Pedro Pegenaute
Philippe Rahm. Meteorologia
Rassegna
Rieber. Il contenitore Thermoport® 1.000 KB 4.0 è un’unità di trasporto cibo leggera (pesa solo 17,6 kg) lavabile in lavastoviglie. Foto Henrik Blomqvist
On the couch. Paul Smith. Lllustration Vincenzo De Cecco
Kram/Weisshaar. Foto Andrea Caputo
Kram/Weisshaar. Foto Andrea Caputo
Kram/Weisshaar. Foto Andrea Caputo
Kram/Weisshaar. Foto Andrea Caputo
Kram/Weisshaar. Foto Andrea Caputo
Heat and modernity: Vann Molyvann in Phnom Penh. Photo Giovanna Silva
Heat and modernity: Vann Molyvann in Phnom Penh. Photo Giovanna Silva
Heat and modernity: Vann Molyvann in Phnom Penh. Photo Giovanna Silva
Heat and modernity: Vann Molyvann in Phnom Penh. Photo Giovanna Silva

The second editorial by Michele De Lucchi is about objects, which “represent the concrete part of existence”. Among the protagonists of this issue we have David Chipperfield Architects Berlin, with the refurbishment  of The Neue Nationalgalerie; with a great work of composition and using only old bricks, Neri & Hu reconstruct a rigidly orthogonal structure based on Chinese tradition; Formafantasma turns scrap into a resource and confirms that design can play a crucial part in issues in which our planet’s future is at stake.

Among the many colums: “Archaeology. Meditation over time” is about the Basilica di San Marco and the Venetian concept of time; in “Economy. Trades & enterprises”, Andrea Phillips talks to Martina Angelotti about a different way of interpreting the concept of value in the cultural field; in “On the couch”, describes his research expressed in rigorous design outside and colourful inside.