As always for the artist, the manual gesture is a fundamental part of the work itself, capable of conjoining an artisanal tradition, which has been passed down to us and which has contributed to rendering places unique, with a lengthy creation time, which is an essential and conceptual condition for her.

As the artist says: “I have based my research on the concept of time in ected in all its forms, to the extent that I have made time itself the real substance of my work. Memory and its strati cations have always been a source of inspiration for our existence, giving us precious clues and provoking mental short circuits that ideas spring from...”.