Gitta Gschwendtner: Chair Bench

Coinciding with the opening of the new furniture gallery at the V&A, the German designer has created a a surreal seating installation inspired by original chairs on display.

On the occasion of the new furniture gallery at the Victoria and Albert Museum in London, German designer Gitta Gschwendtner created Chair Bench, a surreal seating installation inspired by original chairs on display in the furniture gallery. Gschwendtner has chosen six timber chairs from across the collection, each constructed by different making techniques, from the intricately carved Scabello chair (c. 1550) to the CNC-cut Branca chair (2010).

The chairs' backs and legs have been reproduced in ash and seemingly set randomly into the curved bench seat — each back mismatched with a different set of legs. Chair Bench seeks to playfully draw the attention to the construction and form of timber chairs throughout the centuries while giving the visitor a chance to experience the pieces up close.

On 1 December 2012, the V&A will open its new furniture gallery, which will tell the story of furniture design and production spanning the past 600 years. The gallery will display more than two hundred pieces, including chairs, tables, bureaux, stools, chests, cabinets and wardrobes, from designers such as Thomas Chippendale, Frank Lloyd Wright, Eileen Gray, Charles and Ray Eames, Tom Dixon and Ron Arad, alongside lesser-known names.
Gitta Gschwendtner, <em>Chair Bench</em>, created on the occasion of the opening of the new Furniture Gallery at the V&A
Gitta Gschwendtner, Chair Bench, created on the occasion of the opening of the new Furniture Gallery at the V&A
Gitta Gschwendtner, <em>Chair Bench</em>, created on the occasion of the opening of the new Furniture Gallery at the V&A
Gitta Gschwendtner, Chair Bench, created on the occasion of the opening of the new Furniture Gallery at the V&A
Gitta Gschwendtner, <em>Chair Bench</em>, created on the occasion of the opening of the new Furniture Gallery at the V&A
Gitta Gschwendtner, Chair Bench, created on the occasion of the opening of the new Furniture Gallery at the V&A
Left, Stained oak dining chair, designed by Frank Lloyd Wright, 1902, for Ward Willits House, Chicago, 1902. Right, <em>Branca</em> Chair, 2011. Designed by Sam Hecht (Industrial Facility). Made by Mattiazzi
Left, Stained oak dining chair, designed by Frank Lloyd Wright, 1902, for Ward Willits House, Chicago, 1902. Right, Branca Chair, 2011. Designed by Sam Hecht (Industrial Facility). Made by Mattiazzi
Left, Windsor armchair in yew, elm, beech and ash, with carved and pierced central splat, Boston (Lincolnshire), 1830-1850. Made by Thomas Simpson. Right, Carved and turned walnut, of mortise-and-tenon construction; with rushed drop-in seat of beech, or mortise-and-tenon construction, veneered in walnut at the corners. Britain. ca. 1725—40
Left, Windsor armchair in yew, elm, beech and ash, with carved and pierced central splat, Boston (Lincolnshire), 1830-1850. Made by Thomas Simpson. Right, Carved and turned walnut, of mortise-and-tenon construction; with rushed drop-in seat of beech, or mortise-and-tenon construction, veneered in walnut at the corners. Britain. ca. 1725—40
Left, <em>Sgabello</em> chair,  carved and stained walnut. Venice. ca. 1560 1600; restored ca. 1820-40. Right, <em>Number 14</em> chair. Beech frame and cane seat. c. 1860. Designed and made by Thonet
Left, Sgabello chair, carved and stained walnut. Venice. ca. 1560 1600; restored ca. 1820-40. Right, Number 14 chair. Beech frame and cane seat. c. 1860. Designed and made by Thonet

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