2. Patricia Urquiola, Bowy Sofa, Cassina, 2018 / Bowy-Sofa is a modular sofa, playful in the way of composition, with soft and welcoming curves. On show at Cassina showroom, via Durini

2. Patricia Urquiola, Bowy Sofa, Cassina, 2018 / Bowy-Sofa is a modular sofa, playful in the way of composition, with soft and welcoming curves. On show at Cassina showroom, via Durini

3. Layer Design by Benjamin Hubert, Shift, Kvadrat and Really, 2018 / Shift is Benjamin Hubert’s and LAYER’s first collaboration with Danish companies Kvadrat and Really. The project is the result of ten prototypes over a period of six months. On show at Really: Circular by Design, via Palermo 1

3. Layer Design by Benjamin Hubert, Shift, Kvadrat and Really, 2018 / Shift is Benjamin Hubert’s and LAYER’s first collaboration with Danish companies Kvadrat and Really. The project is the result of ten prototypes over a period of six months. On show at Really: Circular by Design, via Palermo 1

3. Layer Design by Benjamin Hubert, Shift, Kvadrat and Really, 2018 / Shift is Benjamin Hubert’s and LAYER’s first collaboration with Danish companies Kvadrat and Really. The project is the result of ten prototypes over a period of six months. On show at Really: Circular by Design, via Palermo 1

3. Layer Design by Benjamin Hubert, Shift, Kvadrat and Really, 2018 / Shift is Benjamin Hubert’s and LAYER’s first collaboration with Danish companies Kvadrat and Really. The project is the result of ten prototypes over a period of six months. On show at Really: Circular by Design, via Palermo 1

3. Layer Design by Benjamin Hubert, Shift, Kvadrat and Really, 2018 / Shift is Benjamin Hubert’s and LAYER’s first collaboration with Danish companies Kvadrat and Really. The project is the result of ten prototypes over a period of six months. On show at Really: Circular by Design, via Palermo 1

4. M-L-XL, Horns, Neonlauro, 2018 / on display at the ex-Meazza space, via San Sisto 9

4. M-L-XL, Horns, Neonlauro, 2018 / on display at the ex-Meazza space, via San Sisto 9

4. M-L-XL, Horns, Neonlauro, 2018 / on display at the ex-Meazza space, via San Sisto 9

4. M-L-XL, Horns, Neonlauro, 2018 / on display at the ex-Meazza space, via San Sisto 9

4. M-L-XL, Horns, Neonlauro, 2018 / on display at the ex-Meazza space, via San Sisto 9

5. Matteo Ragni Studi, Frathin, 2018 / It's called Frathin the contemporary interpretation of fratin, the iconic Franciscan table that trasmits values such as sharing, respect and love for nature. Crumbs are collected at the centre of the table and swept aside to feed the birds. On show at "De Rerum Natura", Cascina Cuccagna, via Cuccagna, cross via Muratori, 2/4

5. Matteo Ragni Studi, Frathin, 2018 / It's called Frathin the contemporary interpretation of fratin, the iconic Franciscan table that trasmits values such as sharing, respect and love for nature. Crumbs are collected at the centre of the table and swept aside to feed the birds. On show at "De Rerum Natura", Cascina Cuccagna, via Cuccagna, cross via Muratori, 2/4

5. Matteo Ragni Studi, Frathin, 2018 / It's called Frathin the contemporary interpretation of fratin, the iconic Franciscan table that trasmits values such as sharing, respect and love for nature. Crumbs are collected at the centre of the table and swept aside to feed the birds. On show at "De Rerum Natura", Cascina Cuccagna, via Cuccagna, cross via Muratori, 2/4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

6. Tipetti, La DoubleJ Housewives and Salviati, 2018 / La DoubleJ with Salviati – who have been keeping alive the rarefied art of artisan glassmaking since 1859 – ocollaborated for two lines of glasses. At La DoubleJ’s showroom Piazza Arcole 4

7. Francisco Gomez Paz, Eutopia, 2018 / Gomez Paz engages with technology to execute the design. In Salta, Argentina, the chair was created using laser cutting, numerical control and 3D printing. On show at "De Rerum Natura", Cascina Cuccagna, via Cuccagna, cross via Muratori, 2/4

7. Francisco Gomez Paz, Eutopia, 2018 / Gomez Paz engages with technology to execute the design. In Salta, Argentina, the chair was created using laser cutting, numerical control and 3D printing. On show at "De Rerum Natura", Cascina Cuccagna, via Cuccagna, cross via Muratori, 2/4

7. Francisco Gomez Paz, Eutopia, 2018 / Gomez Paz engages with technology to execute the design. In Salta, Argentina, the chair was created using laser cutting, numerical control and 3D printing. On show at "De Rerum Natura", Cascina Cuccagna, via Cuccagna, cross via Muratori, 2/4

8. Sigve Knutson and Thomas Ballouhey, Rock the Pepper, roll the salt, Valerie objects, 2018 / Sigve Knutson and Thomas Ballouhey combine minimalism with the aesthetics of the Stone Age, with this rough-shaped grinder consisting of a grinding ball that rolls in a preconceived circular trench. On display at Spazio Rossana Orlandi, via Matteo Bandello, 14/16

8. Sigve Knutson and Thomas Ballouhey, Rock the Pepper, roll the salt, Valerie objects, 2018 / Sigve Knutson and Thomas Ballouhey combine minimalism with the aesthetics of the Stone Age, with this rough-shaped grinder consisting of a grinding ball that rolls in a preconceived circular trench. On display at Spazio Rossana Orlandi, via Matteo Bandello, 14/16

8. Sigve Knutson and Thomas Ballouhey, Rock the Pepper, roll the salt, Valerie objects, 2018 / Sigve Knutson and Thomas Ballouhey combine minimalism with the aesthetics of the Stone Age, with this rough-shaped grinder consisting of a grinding ball that rolls in a preconceived circular trench. On display at Spazio Rossana Orlandi, via Matteo Bandello, 14/16

8. Sigve Knutson and Thomas Ballouhey, Rock the Pepper, roll the salt, Valerie objects, 2018 / Sigve Knutson and Thomas Ballouhey combine minimalism with the aesthetics of the Stone Age, with this rough-shaped grinder consisting of a grinding ball that rolls in a preconceived circular trench. On display at Spazio Rossana Orlandi, via Matteo Bandello, 14/16