10 exhibitions for 2018

London, Milan, New York and beyond. The best exhibitions of art, design, graphics, fashion and photography in this selection by Domus.

What role has graphics played in politics over the last 10 years? The London Design Museum examines actions and reactions translated into highly powerful images. Moments that have shaped the world beginning from 2008, the year of the global economic crisis. They clearly demonstrate how graphic design has played an influential role. From Brexit to the Arab Spring, it is astounding to see how certain figures have already become part of our collective consciousness.

Women's March a Washington DC, January 2017. Credit Chris Wiliams Zoeica Images
Corbyn Swoosh. Credit Bristol Street War
International Women's Day. Credit Steve Rapport
Je suis Charlie. Banner outside Palais de Tokyo at January 10, 2015. Credit Paul SKG
Occupy Wall Street, 2011. Credit David E. Cooley
Corbyn Dabbing. Credit Reuben Dangoor
Occupy Wall Street. Credit Jason Lester
Protesta in Brasile. Credit Charles Albert Sholl
Protest March in Portland, Oregon. Credit Scott Wong
Remain Campaign. Credit Britain Stronger In Europe
The New Yorker. Credit David Plunkert
Women's March in Los Angeles, 2017. Credit Lindsey Lawrence
Oregon Anti -Trump Rally, January 2017. Credit Scott Wong
  • Hope to Nope: Graphics and Politics 2008-2018
  • 28 March – 12 August 2018
  • London Design Museum
  • 224-238 Kensington High Street, London

Among the 4 excellent projects produced by Pirelli HangarBicocca for 2018, the one-person show dedicated to Leonor Antunes is not to be missed. Artisan techniques and traditional materials (rope, wood, brass, leather, rubber and cork), for powerful works with an evident link to architecture. In particular, for the new works present and for the site-specific installation, the Portuguese artist makes reference to Franca Helg, Bruno Munari, Franco Albini and Milanese Modernism traditions.

Img.1 Leonor Antunes at Pirelli HangarBicocca
Img.2 Leonor Antunes at Pirelli HangarBicocca
Img.3 Leonor Antunes at Pirelli HangarBicocca
Img.4 Leonor Antunes at Pirelli HangarBicocca
  • Leonor Antunes
  • Roberta Tenconi
  • 14 September – January 2018
  • Pirelli HangarBicocca
  • via Chiese 2, Milan

MoMA is dedicating an important retrospective to the Congolese sculptor Bodys Isek Kingelez (1948 - 2015), who used unusual materials such as paper or commercial packaging to create that which he described as “extreme maquettes”. For the first time ever, visitors will be able to see the first works, which concentrated on sculptures of individual architectural works, as well as the more recent pieces which represent sprawling metropoles on a large scale, and the final futurist and visionary urban landscapes. The exhibition design will be produced in collaboration with the artist Carsten Höller

Img.1 Bodys Isek Kingelez at MoMA
Img.2 Bodys Isek Kingelez at MoMA
Img.3 Bodys Isek Kingelez at MoMA
Img.4 Bodys Isek Kingelez at MoMA
Img.5 Bodys Isek Kingelez at MoMA
Img.6 Bodys Isek Kingelez at MoMA
  • Bodys Isek Kingelez
  • Sarah Suzuki
  • 26 May – 21 October 2018
  • MoMA
  • 11 West 53 Street, New York

Obsession: 50 nudes by Gustave Klimt (1862 - 1918), Egon Schiele (1890 - 1918), and Pablo Picasso (1881 - 1973). The masterpieces, all part of the Scofield Thayer Collection (belonging to the Met) are being shown together for the first time. They express the atmosphere of a very particular era, and the passions of Thayer (1889 - 1982). A patient of Sigmund Freud in Vienna, in the space of only two years he had collected over 600 works by artists who were still unknown at the time in his country of Austria.

Egon Schiele, Standing Nude with Orange Drapery, 1914. The Metropolitan Museum of Art, New York, Bequest of Scofield Thayer, 1982
  • Obsession: Nudes by Klimt, Schiele, and Picasso from the Scofield Thayer Collection
  • 3 July – 7 October 2018
  • The Met Breuer
  • 945 Madison Avenue, New York

Contemporary culture examined through clubs and discotheques, free and stimulating spaces where graphics, interior architecture, design, fashion, art and much more is experimented. From the 1960s to today, with an excellent selection of period documentation (films, photographs, installations, posters), this exhibition brings together the Italian discotheques made by the Radicals, the legendary Studio 54 in New York, the studies by OMA for the Ministry of Sound in London, and the design for the New York Palladium by Arata Isozaki.

Guests in Conversation on a Sofa, Studio 54, New York, 1979. Photo: © Bill Bernstein, David Hill Gallery, London
Discotheque Flash Back, Borgo San Dalmazzo, ca. 1972. Interior Design: Studio65. Photo: © Paolo Mussat Sartor
An evening at the Space Electronic, Florence, 1971. Interior Design: Gruppo 9999. Photo: Carlo Caldini, © Gruppo 9999
Nightclub Les Bains Douches, Paris, 1990. Interior Design: Philippe Starck. Photo: © Foc Kan
Palladium, New York, 1985. Architect: Arata Isozaki, mural by Keith Haring. Photo: © Timothy Hursley, Garvey|Simon Gallery New York
DJ Larry Levan in Paradise Garage, New York, 1979. Photo: © Bill Bernstein, David Hill Gallery, London
Akoaki, Mobile DJ Booth, The Mothership, Detroit, 2014. © Anya Sirota and Jean Louis Farges, in collaboration with Bryce Detroit
OMA/Rem Koolhaas, Isometric Plan Ministry of Sound II, London, 2015. © OMA
Newcastle Stage at Horst Arts & Music Festival, Belgium, 2017. Architects: Assemble. Photo: © Jeroen Verrecht
Roger Tallon, Swivel Chair Module 400 for the (unrealised) Nightclub Le Garage, Paris, 1965. © Vitra Design Museum, Foto: Thomas Dix
Poster for the Discotheque Flash Back, Borgo San Dalmazzo, 1972. Design: Gianni Arnaudo / Studio65
  • Night Fever. Designing Club Culture 1960 – today
  • 17 March – 9 September 2018
  • Vitra Design Museum
  • Charles-Eames-Strasse 2, Weil am Rhein

The first important one-person show dedicated to Danh Vo in the United States. The Danish artist who was born in Vietnam has always focused on themes such as colonialism, capitalism, memory, religion and a sense of belonging. Mixing his personal history with universal events with a sensitivity and a strength which has made him, in his forties, one of the most interesting artists of the moment. The exhibition shows works from the last 15 years, and a large number of works produced specially for the occasion.

Danh Vo. Installation view: Danh Vo وادي الحجارة, Museo Jumex, Mexico City, 2015. Photo: Abigail Enzaldo and Emilio Bernabé García, courtesy Museo Jumex, Mexico City
Danh Vo, She was more like a beauty queen from a movie scene, 2009. Collection Chantal Crousel. Photo: Jean-Daniel Pellen, Paris
Danh Vo, Das Beste oder Nichts, 2010. Engine of Phung Vo’s Mercedes-Benz 190. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the International Director’s Council 2011.56. Photo: Kristopher McKay © Solomon R. Guggenheim Foundation, New York © Danh Vo
Danh Vo, Bye bye, 2010. Courtesy the artist. Photo: Nick Ash, courtesy the artist. © Danh Vo
Danh Vo, 2.2.1861, 2009. Ink on paper, writing by Phung Vo. Photo: Kristopher McKay © Solomon R. Guggenheim Foundation, New York © Danh Vo
  • Danh Vo: Take My Breath Away
  • Katherine Brinson,
  • 9 febbraio – 9 maggio 2018
  • Solomon R. Guggenheim Museum
  • 1071 5th Ave, New York

Around one hundred works examine the power and intensity of human existence portrayed on canvas. Bodies which are abandoned, suffering, bored or simply immersed in daily activities Surrounding the predominant figures of Lucian Freud (1922 - 2011) and Francis Bacon (1909 - 1992), a selection of some of the most famous British artists from the last century. A wide-ranging reflection on the famous words spoken by Freud: “I want the paint to work as flesh does”.

Lucian Freud, Girl With Dog
Francis Bacon, Portrait, 1962
Jenny Saville, Reverse, 2002–3
Euan Uglow, Georgia, 1973
Leon Kossoff, Children's Swimming Pool, Autumn Afternoon
Lucian Freud, Sleeping by the Lion Carpet, 1996
Lynette Yiadom-Boakye, Coterie Of Questions, 2015
Michael Andrews, Melanie and Me Swimming, 1978–9
Paula Rego, The Family, 1988
RB Kitaj, The Wedding, 1989–93
Stanley Spencer, Patricia Preece, 1933
Walter Sickert, Nuit d'Été, c.1906
  • All Too Human: Bacon, Freud and a Century of Painting Life
  • 28 February – 27 August 2018
  • Tate Britain
  • Millbank, London

A new retrospective dedicated to Frida Kahlo (1907 - 1954) which not only brings together works from the Dolores Olmedo Museum in the City of Mexico, and from the Jacques and Natasha Gelman Collection, (the two most important collections dedicated to the Mexican artist), but also benefits from the collaboration of the Casa Azul archive and many other institutions. The curator Diego Sileo speaks of a brand-new approach which will allow the exhibition to go “beyond the legend”. At the same time, the Mudec is preparing a series of very interesting conferences and events which examine the artist in further detail, and the Mexican Cultural Festival will be directly involved.

Frida Kahlo, Self-Portrait Along the Boarder Line Between Mexico and the United States, 1932. Modern Art lnternational Foundation (Courtesy Maria and Manuel Reyero) © Modern Art International Foundation (Courtesy Maria and Manuel Reyero) © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. by SIAE 2018
Frida Kahlo, Self-Portrait, 1940. Harry Ransom Center - The University of Texas, Austin. Credito: © Banco de México Diego Rivera Frida Kahlo Museums Trust, México, D.F. by SIAE 2018
  • Frida Kahlo. Oltre il mito
  • Diego Sileo
  • 1 February – 3 June 2018
  • MUDEC
  • via Tortona 56, Milano

150 works from all around the world, including paintings, photographs, collages, assemblages, experimental films, objects and works on paper in an attempt to define the figure of Man Ray, (1890 - 1976), an enigmatic artist who made his mark at the time and who continues to influence the modern world. This exhibition seeks to examine “the universal Man Ray”, too often reduced to a few famous and stereotypical elements, which do not take into consideration the manifold and complex production of the artist.

Man Ray, Gabrielle Chanel, 1935/36 Museum Ludwig, Köln © Rheinisches Bildarchiv, Man Ray © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, Noire et Blanche, 1926 (um 1970) Privatbesitz, Courtesy Galerie 1900-2000, Paris © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, L’Énigme d’Isidore Ducasse, 1920/1971 Sammlung Marion Meyer, Paris © Xavier Lahache, courtesy Galerie Eva Meyer, Paris © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, Indestructible Object, 1923/65 Metronom, Foto eines Auges, Büroklammer, Box Sammlung Marion Meyer, Paris © Marc Domage, courtesy Galerie Eva Meyer, Paris. © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, The Rope Dancer Accompanies Herself with Her Shadows, 1916 The Museum of Modern Art, New York. Gift of G. David Thompson, 1954 © 2017. Digital image, The Museum of Modern Art, New York / Scala, Florenz © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, Tränen, 1933 (1959) Museum Abteiberg Mönchengladbach © Foto: Ruth Kaiser © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, The Veil, 1930 The Museum of Modern Art, New York. Gift of James Thrall Soby © 2017. Digital image, The Museum of Modern Art, New York/Scala, Florenz © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, Cadeau | Gift, 1921/1958 The Museum of Modern Art, New York, James Thrall Soby Fund, 1966 © 2017. Digital image, The Museum of Modern Art, New York/ Scala, Florenz © MAN RAY TRUST/Bildrecht, Wien, 2017/18
Man Ray, Violon d’Ingres, 1924 (1990) Courtesy Galerie Johannes Faber © MAN RAY TRUST/Bildrecht, Wien, 2017/18
  • Man Ray
  • Lisa Ortner-Kreil
  • 14 February – 24 June 2018
  • Bank Austria Kunstforum Wien
  • Freyung 8, Vienna

In the run-up to the 50th anniversary of the moon landing made by Apollo 11 in 1969, an important exhibition examines the various human ambitions dedicated to Earth’s satellite, considered an object of desire, an artistic symbol, and the object of scientific research. Through literature, film, architecture, design and art, as well as natural history and historical artefacts, the Louisiana presents the moon in all its aspects, which range from David Bowie to Disney cartoons.

“The Moon” at Louisiana Museum. Fritz Lang
  • The Moon
  • 13 September 2018 – 20 January 2019
  • Luisiana Museum of Modern Art
  • Gl. Strandvej 13, Humlebæk