One of the most prestigious Spanish awards in the ceramic field, the Tile of Spain Award (or Premios Céramica) every year prizes during Cevisama architects and designers for the good use of this ‘noble’ material. The categories awarded are Architecture, Interior design and Degree Project, represented respectively by the new Entrance to the intermodal station of Palma de Mallorca by Joan Miquel Seguí Coloma, the House overlooking the Sea by architects Xavier Martí and Lucia Ferrater (OAB) and the techno-gothic project by Manuel Bouzas Barcala, architecture student at ETSA Madrid.
The winners of the XVII Tile of Spain Awards
At Cevisama, virtuous projects with ceramics received the annual prize: an urban latticework in Palma de Mallorca, a renovated fishers’ house in Catalonia and a deconstructed Gothic church.
Winner of the XVII Tile of Spain Award, Architecture section. Photo Adriá Goula
Designed by Joan Miquel Seguí. Winner of the XVII Tile of Spain Award, Architecture section. Photo Adriá Goula
Designed by Joan Miquel Seguí. Vincitore del XVII Tile of Spain Award, sezione Architettura. Photo Carlos Gabilondo
Winner of the XVII Tile of Spain Award, section Interiors. Photo Alejo Bagué
Winner of the XVII Tile of Spain Award, section Interiors. Design Xavier Martí and Lucía Ferrater. Photo Alejo Bagué
Winner of the XVII Tile of Spain Award, section Interiors. Design Xavier Martí and Lucía Ferrater. Photo Alejo Bagué
Design by Manuel Bouzas Barcala, winner of the XVII Tile of Spain Awards, Final career project
Design by Manuel Bouzas Barcala, winner of the XVII Tile of Spain Awards, Final career project
Design by Manuel Bouzas Barcala, winner of the XVII Tile of Spain Awards, Final career project
Design by Manuel Bouzas Barcala, winner of the XVII Tile of Spain Awards, Final career project
Interior design mention of the XVII Tile of Spain Awards. Photo Amador Toril
Interior design mention of the XVII Tile of Spain Awards. Photo Amador Toril
Interior design mention of the XVII Tile of Spain Awards. Photo Amador Toril
Mention for the Architecture section of the XVII Tile of Spain Award. Photo Michael Van Oosten
Mention for the Architecture section of the XVII Tile of Spain Award. Photo Michael Van Oosten
Mention for the Architecture section of the XVII Tile of Spain Awards. Photo Javier Callejas
Mention for the Architecture section of the XVII Tile of Spain Awards. Photo Javier Callejas
Mention for the Final Project section of the XVII Tile of Spain Awards
Mention for the Final Project section of the XVII Tile of Spain Awards, project by Clàudia Calvet Gómez
Mention for the Final Project section of the XVII Tile of Spain Awards, project by Clàudia Calvet Gómez
Mention for the Architecture section of the XVII Tile of Spain Awards
Mention for the Architecture section of the XVII Tile of Spain Awards, design Carmen Martín Hernando
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- Marianna Guernieri
- 31 January 2019
- Valencia
Special mentions to the Amsterdam Student Housing designed by Studioninedots, the Sports Centre of the Universidad Francisco de Vitoria designed by Alberto Campo Baeza, the Casa Artium by young architect María Fernández Torrado and the theses of Clàudia Calvet Gómez (ETSA Barcelona) and Carmen Martín Hernando (EPS Universidad CEU San Pablo). In every design, ceramics stand forward in the most varied forms: from the latticework made of raw ceramics that “changes with the passing of time” to the large-scale slabs that cover all the surfaces of the house; from the rectangular tiles of the Catalan Modernist tradition to facades and large public projects.
The jury included Jorge Silvetti, Elías Torres, Ricardo Carvalho, Jordi Garcés, Belén Moneo, Mario Ruiz and Ramón Monfort. The prize, in its seventeenth edition, is organized by ASCER (Asociación Española de Fabricantes de Azulejos y Pavimentos Cerámicos) and offers the winners of the Architecture and Interior sections 17,000 euros each and 5,000 euros for the thesis project.
Designed by architect Joan Miquel Seguí, the roof was shaped after three years of intense work and after winning a public competition for the rehabilitation of Plaza de España in Palma.
Its strength lies in the simple form obtained by a complex structural work, which is discreet. The key element is repeated jealousy, made to measure.
The geometric shape stems from the need to prevent pigeons from taking possession, thanks to an oblique plate on which they can not rest. The choice to keep the raw ceramic is dictated by a principle of 'living' architecture that changes over time.
Architects Xavier Martí and Lucía Ferrater have designed their holiday home in Bahía de Port de la Selva, in Catalonia.
Recovering a pre-existing house once belonging to a fishing family, the architects combined the Mediterranean culture of the patio with the architectural references of Villavecchia by F. Correa and A. Milá and the Senillosa house by J.A. Coderch.
The multigenerational house responds to the difficult climatic conditions through a central patio that divides two areas dedicated respectively to young people and adults. The ceramic floor, consisting of the traditional 13 mm thick rectangular tile, is a clear reference to Catalan Modernism.
The result of a year’s work, Manuel Bouzas Barcala’s thesis project reflects on the legacy of ruins, religious architecture, and balance. The result is an open-air pavilion, a contemplative space made up of ceramic roofs supported by cranes held in balance by the weight of the ruins.
These are fragments of capitals, bases, arches and columns of a church in Madrid built by Agustín Ortiz de Villajos in 1868. In 1975 it was demolished, and its remains were dumped on the Monte de el Pardo, where the Camino de Santiago once passed. The discovery of the remains led Barcala to catalogue them all, to measure their weight, with the intention of reconstructing, in his own way, the forgotten church.
He did not consider the remains as 620 pieces of a romantic ruin, but a set of 190 tons that act as a counterweight to several cranes that support a canopy made of hundreds of ceramic plates. It can be assembled and disassembled in a day: a performative act that offers countless design ideas.
“An intervention project that includes the use of lightweight large format marble-effect ceramic tiles that transform a seemingly simple distribution passage space into a focal point that illuminates the entire home.” Design María Fernández Torrado (Torrado Arquitectura)
Design María Fernández Torrado
Design María Fernández Torrado
“The project is an effective means of drawing attention to the vast potential of ceramic tiles in the field of large format prefabricated elements.” Design Studioninedots
“The project is an effective means of drawing attention to the vast potential of ceramic tiles in the field of large format prefabricated elements.” Design Studioninedots
“In this case, the deciding factor was not only the underlying perfection of the idea, but also the outstanding precision in the use of ceramic materials that contribute to the streamlined effect of a building where neatness in the use of details is essential.” Design Alberto Campo Baeza – Read the full article
“The jury appreciated the use of ceramic tile cupolas and tubular skylights to create a connection between the underground areas of the metro and the street level, thereby converting architecture into a mechanism for social interaction.” Design Clàudia Calvet Gómez
“The judges made particular mention of the effective use of units placed lengthwise and featuring eye-catching vaulted roofs topped with reinforced structural ceramic sheets.” Design Carmen Martín Hernando