[Continued from part one]
Domus:
Are these guys waiting to
prostitute themselves for
women? Look here: a club
called ak47!
Yasutaka Yoshimura:
These aren't places for
prostitution. The lady clients
want to have a drink with
handsome guys. They come
here to have a drink with
professionals. The men work and
the women enjoy themselves.
They are very small clubs. This
is a club for ladies, and there
are a lot of guys. They aren't
prostitutes; they just have a
drink and chat.
In Japan there are two levels
of intimacy. One level regards
what happens after work. It's
as if your real family were not
made of your wife and kids, but
your colleagues. This means you
can go out and drink with your
co-workers and have fun with
other ladies, but you cannot go
beyond a certain point. These kinds of clubs are for this kind
of meeting, not for prostitution.
You don't go by yourself looking
just for one person; you go to
enjoy yourself with your friends
and their ladies. Women come
here to drink with men. We like
communication and we pay
money for it. Ladies also spend
money for this.
Yoshiharu Tsukamoto:
What about the staircases on the
sides of the building?
Yasutaka Yoshimura:
This type of building is subject
to strict regulations regarding
escape stairs, which must have a
width of 60 centimetres for every
100 square metres of floor area.
So, if a building has 1,000 square
metres per level, the stairs must
be 6 metres wide. Like a large
department store we have many
stairs, almost making the entire
facade of the building.
Takeyama: Superurban #2
Part two of our conversation with architect Minoru Takeyama, exploring the ineffable rules underlying architecture in Japan.
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- Roberto Zancan
- 04 February 2012
- Tokyo
Minoru Takeyama:
In Ichiban-kan the sole staircase
counts for two because they are
divided by a landing and they
go in opposite directions. It's a bit
of a sneaky solution.
In the 1970s Kiyonori Kikutake
built a department store and he
placed the stairs sticking out of
the facade.
Yasutaka Yoshimura:
The building code has changed
a lot since the '70s. One of the
worst things is that it changes
continuously, faster than the
changes to the buildings.
Domus:There are lots of parking lots
in front of Ichiban-kan.
Yasutaka Yoshimura:
During the speculative property
bubble, many landlords tried
to acquire this land in order to
construct bigger buildings, but
without success. Now they're
just throwing up parking lots,
and that's why there are so many
of them. When I visit Takeyama's
buildings I always get a
special feeling of public space.
Commercial spaces nowadays
are like public spaces: many
people gather in commercial
buildings even though they
aren't equipped with true
public spaces.
During the speculative property bubble, many landlords tried to acquire this land in order to construct bigger buildings, but without success. Now they're just throwing up parking lots, and that's why there are so many of them
Minoru Takeyama:
I've never thought about it,
but for me there is no clear
distinction between private
and public. The same space can
mean many different things to
different people. In any case, you
have to consider the proximity of
the station. For most downtown
areas in Japan's big cities the
station is the starting point of
everything. All the big stores
are situated near stations, so the
way you organise flows of people
between the building and the
station is very important.
[ Continued in part 3 ]