Paul Rudolph’s works, including unrealised ones, in a major exhibition at the MET

The exhibition in New York will offer an opportunity to explore the influence of the visionary projects—both built and unbuilt—of the great Brutalist architect.

Lower Manhattan Expressway / City Corridor project (unbuilt), New York, ca. 1967–72, Ink on tracing paper, 21 1/2 x 30 in. Prints and Photographs Division, Library of Congress.

Lower Manhattan Expressway / City Corridor project (unbuilt), New York, 1972, Ink and graphite on paper, 40 x 33 1/2 in. The Museum of Modern Art, New York, Gift of the Howard Gilman Foundation (1290.2000).

Art and Architecture Building, Yale University, New Haven, 1958, Pen and ink, graphite, and plastic film with halftone pattern, on illustration board, 36 7/8 x 53 5/8 x 2 in. (93.6 x 136.2 x 5.1 cm),. School of Architecture, Yale University, Manuscripts and Archives, Yale University Library.

Temple Street Parking Garage, New Haven, Connecticut 1962. Photograph by Ezra Stoller. Photograph © Ezra Stoller/Esto, Yossi Milo Gallery.

Walker Guest House, Sanibel Island, Florida, 1952. Photograph by Ezra Stoller for House Beautiful Photograph © Ezra Stoller/Esto, Yossi Milo Gallery.

Rolling Dining Chair, Designed 1968, Lucite, chromium plated tubular steel, 30 h × 28 1/4 w × 24 d in, Paul Rudolph Institute for Modern Architecture. Photograph by Eileen Travell.

The Metropolitan Museum of Art in New York will host a major exhibition from September 30, 2024, to March 16, 2025, dedicated to the work of Paul Rudolph, one of the most significant architects of the 20th century. Materialized Space: The Architecture of Paul Rudolph will showcase Rudolph’s works from the 1950s to the 1970s, with more than 80 items, including architectural drawings, furniture, material samples, models, and photographs. Spanning the entirety of his career, it will demonstrate his influence on modern and contemporary architecture.

Known for his bold and expressive use of space and materials, unlike his modernist peers, Rudolph was famous for his use of complex volumes and textures. A highlight of the exhibition will be the designs for the Lower Manhattan Expressway / City Corridor, a visionary master plan conceived between 1967 and 1972 to address New York’s traffic congestion but never realized: a massive elevated structure that integrated residential, public, and commercial spaces. Also featured will be materials for the Art and Architecture Building on the Yale University campus, completed in 1958. This building, with its solid concrete facade, is considered a masterpiece of Brutalist architecture. The intricate interior spaces are a perfect example of Rudolph’s compositional mastery in assembling dynamic and engaging spaces.

Lower Manhattan Expressway / City Corridor project (unbuilt), New York, ca. 1967–72, Ink on tracing paper, 21 1/2 x 30 in.

Prints and Photographs Division, Library of Congress.

Lower Manhattan Expressway / City Corridor project (unbuilt), New York, 1972, Ink and graphite on paper, 40 x 33 1/2 in.

The Museum of Modern Art, New York, Gift of the Howard Gilman Foundation (1290.2000).

Art and Architecture Building, Yale University, New Haven, 1958, Pen and ink, graphite, and plastic film with halftone pattern, on illustration board, 36 7/8 x 53 5/8 x 2 in. (93.6 x 136.2 x 5.1 cm),.

School of Architecture, Yale University, Manuscripts and Archives, Yale University Library.

Temple Street Parking Garage, New Haven, Connecticut 1962.

Photograph by Ezra Stoller. Photograph © Ezra Stoller/Esto, Yossi Milo Gallery.

Walker Guest House, Sanibel Island, Florida, 1952.

Photograph by Ezra Stoller for House Beautiful Photograph © Ezra Stoller/Esto, Yossi Milo Gallery.

Rolling Dining Chair, Designed 1968, Lucite, chromium plated tubular steel, 30 h × 28 1/4 w × 24 d in, Paul Rudolph Institute for Modern Architecture.

Photograph by Eileen Travell.