-
Sections
-
Keywords
Winners of XXVIII Compasso d’Oro ADI 2024 announced
ZA:ZA, by Zaven for Zanotta.
The quest for manufacturing simplicity, combined with a new idea of comfort of use reinforces the idea of sustainability and responsibility over time for an ever increasing general public.
RIDE ON COLORS – Misano World Circuit Marco Simoncelli, by Aldo Drudi for Santa Monica.
Communication design as expressed in the context of land art underlines a different relationship in the enjoyment of sporting events that see the involvement of a large audience through new forms of media.
OMNIAGV, by Ilario De Vincenzo for Tesar Automation
A reduction in human fatigue combined with safety in the workplace through a new self-driving electric vehicle with reduced dimensions, intended to improve the efficiency of spaces and procedures in the logistics sector.
ÖSSUR POWER KNEE, by Design Group Italia for Össur R&D Team.
The union between advanced mechanical technologies and artificial intelligence applied to the medical sector to overcome the concept of "able-bodied". Design as a bridging discipline between knowledge from vastly different areas, as seen from the perspective of civic responsibility.
MUSEO D’ARTE, FONDAZIONE LUIGI ROVATI, by Mario Cucinella Architects for Fondazione Luigi Rovati.
Museographic and museological staging and set-up through a type of design that takes its inspiration from the relationship with the traditions of the world of sculpture, creating an emotionally engaging environment and underlining the relationship between user and cultural heritage.
FERRARI PUROSANGUE, by Flavio Manzoni and Ferrari Design.
A concentrated dose of technology combined with courageous typological innovation which goes beyond the conventional categories of the gran turismo: this is a clear element of tangible innovation in a sector that is well-established in the face of global competition.
FARFALLINA, by Álvaro Siza for Sozzi Arredamenti.
The tradition of quality joinery applied to the oldest type of product in the history of furniture comes face to face with the application of restraint in terms of materials and components, resulting in a synthesis of elegant lightness.
ARIA, by Goood for Optimares.
A typological innovation that guarantees better use of space inside an aircraft offering the same level of comfort but with a significant weight saving aimed at reducing consumption.
ANIMA by Davide Groppi and Giorgio Rava.
The reduction of thicknesses and material used is combined with an idea of expressiveness capable of satisfying genuine requests for coming into contact with the transcendental nature of a public that is increasingly bombarded by trivializing messages.