The May issue of Domus focuses on the sensory experience of architectural space. Holl, in his Editorial, explains how the materiality of elements can significantly alter the perception of spaces. “When the materiality of the details that make up an architectural space becomes evident, the haptic domain opens wide and the sensory experience intensifies, involving the psychological dimension. The perception of spaces depends on these factors, just as the taste of a food depends on the original flavor of the ingredients.”
Starting with the section Detail, material, Kenneth Frampton writes about the Point William Cottage designed by Shim-Sutcliffe Architects. The complex confronts a dreamlike landscape and the tactile qualities of the site’s natural elements: granite rock, water and vegetation. Next, Fulvio Irace retraces the work of Carlo Scarpa, where there recurs a penchant for the material quality that connotes details and corner solutions and suggests a manual conception of art. Steven Holl interviews Boonserm Premthada, founder of Thailand’s Bangkok Project Studio, who talks about the uncertainty inherent in the materials he chooses, an element that allows architecture to become memory. Aaron Betsky writes about the Desert Outpost Residence designed by Jones Studio. Heir to the building traditions of eighteenth-century Spanish colonization, the residence controls its relationship to the rugged landscape through thick earthen walls and wooden sunshades.
Domus 1079 is on newsstands, an issue dedicated to perception in architecture
The April magazine led by Guest Editor Steven Holl, focuses on the sensory experience of the architectural space. Browse the gallery to discover the contents of this issue.
Text Steven Holl. Courtesy of Museum of Fine Arts, Houston / Bridgeman Images
Text Kenneth Frampton. Photo James Dow
Text Fulvio Irace. Photo © Pino Guidolotti, 2000
Text Steven Holl. Photo Spaceshift Studio
Text Aaron Betsky. Photo Bill Timmerman
Text Steven Holl. Photo Steven Holl
Text Steven Holl. Photo © Zhu Runzi
Text Diana Carta. Photo © Stefano Baldini / Bridgeman Images
Text Steven Holl. Photo © Robert Konieczny– KWK Promes
Text Leah Kelly. Photo © Succession H. Matisse, by SIAE 2023. Photo David Huguenin
Text Michael Bell. Photo by Matteo Cirenei
Text Mark Mack. Photo Charles Duprat © Anselm Kiefer
Text Agnieszka Kurant
Text Richard Tuttle. Photo courtesy of Pace Gallery
Text Steve Pulimood. Photo Fredrik Nilsen Studio. Courtesy of Pace Gallery © 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
Text Lars Müller
Text Durganand Balsavar. Photo © Iwan Baan
Text Steven Holl and Nina Stritzler-Levine. Courtesy Rizzoli
Text and drawing Steven Holl
Text Robert Kelly. Photo Charlotte Mandell
Text Steven Holl and Toshiko Mori
Text Walter Mariotti. Photo Valentina Petrucci
Text Loredana Mascheroni
Text Cecilia Fabiani
Text Walter Mariotti. Illustration Felix Petruška
Text Giulia Ricci. Illustration Felix Petruška
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- La redazione di Domus
- 08 May 2023
We continue with the theme Haptic time. For Holl by combining experience, relationship and poetry, architecture can be the index, or a metaphysical bridge, to measure, understand and perceive different times. The Guest Editor continues by interviewing the firm Open Architecture for the Shanfeng Academy Suzhou. The cultural and sports center designed by the Chinese firm is meant to awaken the senses and excite, starting with a multiplicity of dimensions. Diana Carta writes about the fountains of Rome: the presence of water in the historic city interacts with the senses and amplifies emotions, dilating time in the perception of space. Robert Konieczny talks about the Contemporary art gallery designed in Ostrava, where, using large movable walls, he managed to bring art outdoors, as well as encourage haptic contact with the building.
For the section Haptic Space, Leah Kelly explains how The human body communicates with the environment through the senses in a crossmodal manner. This awareness brings neuroscience and architecture closer together. Michael Bell narrates Villa Bianchi, which is less well-known than other works by Giuseppe Terragni, but its exterior staircase is itself a refined and complex structural work. Walking down it is a haptic architectural experience. Mark Mack addresses the issue of how to preserve nature through art. Sometimes not quite consciously, art has been a tool in the greatest battle of our time: the defense of the natural environment.
Closing the issue’s Extra Optical section, Agnieszka Kurant writes about the unstoppable layering of interactions: the result of the intermingling of the spheres of the human, animal, bacteriological and digital realms, the Polish artist’s works decode the complexity of the world. Steve Pulimood writes of the synergy between the two giants of sculpture - Alexander Calder and Richard Tuttle - enacted at the Pace gallery in Los Angeles created a virtuous short-circuit in which artist and curator merged, amplifying each other’s work. Lars Müller recalls AG Fronzoni: unsurpassed in radicality and coherence, the Italian master’s minimal design, balanced between rationality and humanism, is still inspiring 100 years after his birth. Durganand Balsavar pays tribute to Balkrishna Doshi, outlining the hallmarks of the design philosophy of the visionary Indian architect who passed away last January.
In closing, Steven Holl and Toshiko Mori narrate the issue's cover, inspired by the periodic table of chemical elements.
This month’s Diary, with the usual pages devoted to current events, is opened by the Italian Journey section, where Editorial Director Walter Mariotti recounts another stop on the yearlong journey along the peninsula. This time we stop in Tresigallo. Founded 90 years ago by Edmondo Rossoni, the small town in Ferrara is a good place to observe the complexity of the 20th century. Next, Loredana Mascheroni writes about Daniel Rybakken's sense of urban spaces: in his first project for a Norwegian company, Rybakken applies his minimalist and poetic vision to an essential and flexible bench, not just for outdoors. Walter Mariotti interviews Lesley Lokko, curator of the 18th edition, about her “Future Workshop,” which, in order to reflect on production, resources, rights and risks related to the discipline, shines a spotlight on Africa. Finally for the Points of View column, a conversation between Alexander Schwarz and Antonio Gioli: Postwar architecture is fragile, starting with the materials from which it is often made. Therefore, the approach to its reuse must understand its nature.
In the editorial of Domus 1079, the guest editor discusses the issue of tactile experience, explaining how the materiality of elements can significantly alter the perception of spaces.
The complex engages with its dream- like setting and the tactile qualities of the natural elements found on the site: the granite rock, water and vegetation.
The architect’s work reflects a focus on material qualities that characterise the details and the design of corners, as well as suggesting a handmade vision of art.
Boonserm Premthada, founder of the Thai studio, talks about the intrinsic uncertainty of the materials he chooses, an aspect that allows architecture to become memory.
Based on the construction traditions of 18th-century Spanish colonisation, the residence establishes a relationship with the arid landscape through thick earthen walls and wooden sunblinds.
Uniting experience, relativity and poetry, architecture can be an index, or metaphysical link, to measure, understand and perceive different times.
The cultural and sports centre designed by the Chinese studio has been conceived to awaken the senses and touch people’s emotions from multiple dimensions.
The presence of water in the historical city interacts with the senses and amplifies emotions, dilating time in the perception of space.
The founder of the studio KWK Promes describes how, by using large movable walls, it has been possible to take art outside, as well as encouraging haptic contact with the building.
The human body communicates with the environment through the senses in a cross-modal way. This awareness brings neuroscience and architecture closer together.
Villa Bianchi is less well known than other works by Giuseppe Terragni, but its external staircase is in itself a refined and complex structural work. Walking along it is a haptic architectural experience.
Although sometimes without the explicit intention, art has been a tool in the greatest battle of our time: the defence of the natural environment.
The result of mixing the human, animal, bacteriological and digital realms, the works by the Polish artist decipher the complexity of the world.
What if the eyes were fingers? In Amarna art, the rays of the sun ended in fingers.
The synergy between two giants of sculpture presented at Pace Gallery in Los Angeles created a virtuous short circuit where the roles of artist and curator became fused, each exalting the work of the other.
With unsurpassable radicalism and coherence, the Italian master’s minimalist design, balanced between rationality and humanism, is still hugely inspiring 100 years after his birth
A historic collaborator of the Sangath studio, Balsavar outlines the distinctive traits in the design philosophy of the visionary Indian architect who died in January.
Founded 90 years ago by Edmondo Rossoni, the town near Ferrara offers a good standpoint to observe the complexity of the 20th century.
With his first project for a Norwegian brand, Rybakken applies his minimal and poetic vision to a pared-down and flexible bench, not just for outdoors.
Dario Presotto, president of Modulnova, tells the story of the company founded in Friuli 35 years ago with his brothers Giuseppe and Carlo.
Lesley Lokko, curator of the 18th edition, tells us about her “Laboratory of the Future”, which reflects on production, resources, rights and the risks involved in architecture, with a focus on Africa.
Post-war architecture is fragile, starting with the materials that were often used to build it. That’s why the approach to its reuse must understand its nature. We discussed this with Alexander Schwarz and Antonio Gioli.
Agnieszka Kurant, The Half-Life of Facts, 2017