Domus 1015 on newsstands

In July-August issue the extension of the Musée d’Arts in Nantes by Stanton Williams, the Forvik Ferry Port by Manthey Kula in Norway, a project by Konstantin Grcic in Rome, the feedback on Belgrade and the two supplements Future African Cities and Napoli Afragola Station.

Freedom, awareness, imagination and profession are the four key elements around which Nicola Di Battista has developed an analysis of architectural design that becomes a way of working: a desire to describe the architect’s profession, what thinking underpins it and what contents support it.

The conversion and extension of the Musée d’Arts in Nantes by Stanton Williams takes in nearby public spaces, creating an architectural and cultural route opening the institution to the city. Still in the renovation sphere, the analysis of the renovation project by Níall McLaughlin Architects on an ancient castle in Northwest England.

<b>Top:</b> graphic interpretation of the drawing (right) by Frank Lloyd Wright for the Larkin Building in Buffalo, New York, 1902-1906. Perspective and detail of the plan, 1930 ca. © Frank Lloyd Wright Foundation by SIAE 2017. <b>Above:</b> Stanton Williams, renovation of the Nantes Musée d’Arts, 2017. Photo Hufton+Crow
Manthey Kula, Forvik Ferry Port, Norway, 2017
Interior of the Scotland Wing, renovation project by Níall McLaughlin, 2017-18. © Níall McLaughlin Architects
Konstantin Grcic, Magliana Project, Rome, 2017. Photo Omar Golli
Marco Zanuso, House in Sudafrica, 1969. Photo Dewald van Helsdingen
Drawing and collage by Francesco Venezia on the repositioning of the Guggenheim Museum within the Rupe di Orvieto. Project by Francesco Venezia with Andrea Faraguna

  A house designed by Marco Zanuso in the 1970s in South Africa was recently rediscovered: still relevant with its sensitive yet radical approach, it takes to an extreme Zanuso’s research into an idea of the home. In Forvik, Norway, the Ferry Port by Manthey Kula published by Domus in its design phase, it reinterprets the surrounding land in a poetic way.   Domus, moreover, pays homage to Frank Lloyd Wright by publishing a passionate piece by Francesco Venezia on the Guggenheim Museum in New York. Lia Rumma talks about herself and her past, while Konstantin Grcic focuses on the archetypal character of two experimental and understated Nervi designs in Rome. This month’s school is the École d’architecture de la ville & des territoires à Marne-la-Vallée, and the Elzeviro by Michele dall’Ongaro talks about the crossed destinies of music and architecture.

<i>Future African Cities</i>, supplement of <i>Domus 1015</i>, July-August 2017
Lewis Street with the market in Lagos Island. Photo Greg Truen
The Central business district of Kigali in a night view. Photo Cyril Ndegeya
<i>The new train station of Napoli Afragola</i>, supplement of <i>Domus 1015</i>, July-August 2017
Zaha Hadid Architects, Napoli-Afragola station, work in progress, 2017
Zaha Hadid Architects, Napoli-Afragola station, detail, 2017

  The July-August issue comes with two supplements, Future African Cities and The New Train Station of Napoli Afragola. The first one announces the born of Domus Africa, strenghtening the international character of the magazine. It deals with urbanization, resilience, design and politics, young people and innovation. Through the analysis of six cities – Gaborone, Port Louis, Gauteng, Kigali, Durban e Lagos – the authors touch themes such as colonialism ad its overcoming, the economic expansion and creativity. The second supplement is a detailed focus on the railway project Napoli Afragola, designed by Zaha Hadid Architects and newly opened.