Venini: Ando Time

#137 The skills of Murano’s master craftsmen coupled with a layered geometric form – Tadao Ando’s sculpture takes a poetic look at passing time. #salone2015

Tadao Ando, Ando Time, Venini
An hourglass designed by Tadao Ando for Venini is formed of two pieces: a revolved glass prism with a triangular base (external) and a glass cylinder comprising two parts in different colours (internal).
Tadao Ando, Ando Time, Venini
Tadao Ando, Ando Time, Venini

The parts are connected by a precious metal component (titanium) that lets the sand (aluminium oxide, a hard, dark mineral, almost like diamond, used to cut and polish glass) pass through. The apparently simple design could not have been possible with this major studio and a complex engineering process applied to the cast-iron mould required for the outer volume.

The precise final form with its sharp edges and planes curved by the torsion requires a metal mould described in Murano vocabulary as being a fermo, one of the most fascinating glass processes.

Tadao Ando, Ando Time, Venini
Tadao Ando, Ando Time, Venini

This work contains the sense of passing time but also of interchangeability between top and bottom because the hourglass works by being turned upside down again and again.


The desire to make fine metals an integral part of this project is a reference to the noble clock-making profession. The metal forms the support and structural part of the compositions designed by Tadao Ando for Venini.

Latest on News

Latest on Domus

Read more
China Germany India Mexico, Central America and Caribbean Sri Lanka Korea icon-camera close icon-comments icon-down-sm icon-download icon-facebook icon-heart icon-heart icon-next-sm icon-next icon-pinterest icon-play icon-plus icon-prev-sm icon-prev Search icon-twitter icon-views icon-instagram