focused on. His rainbow motifs can be considered signs for the particular connection to nature and early ecological awareness that influenced the structures and forms of many of his Sky Art Events after 1968. In a dense interplay of devices, paintings, prints, photographs, films, and installations, the exhibition demonstrates the wide variety of media the artist worked in simultaneously after 1970.
Otto Piene, Hot Mountain, 1964/74. Oil, fire and hay on canvas. Permanent loan of ZKM Karlsruhe, Private collection South Germany. Photo: bpk / Roman März, © VG Bild-Kunst, Bonn 2014
BPK 100.581
Otto Piene, Light Room, 1961–99.diverse materials, measurements variable
Staatliche Museen zu Berlin, Nationalgalerie. Acquired partly with funds of the state of Berlin and the estate of the Renée Sintenis foundation.
Photo: Günter Thorn, © VG Bild-Kunst, Bonn 2014
BPK 100.532
Left: Otto Piene, Addis Abeba, 1972. Silkscreen on cardboard
Deutsche Bank Collection. Photo © VG Bild-Kunst, Bonn 2014. Right: Otto Piene, Untitled, 1962. Oil and soot on canvas. Staatliche Museen zu Berlin, Nationalgalerie. Purchased by the federal state of Berlin.
Photo: bpk / Jörg P. Anders, © VG Bild-Kunst, Bonn 2014
Otto Piene, Olympic Rainbow, 1972. Lithography. Deutsche Bank Collection. Photo: Mathias Schormann, © VG Bild-Kunst, Bonn 2014
BPK 45.426
Otto Piene, SolOEil, 1958. Oil on canvas. Staatliche Museen zu Berlin, Nationalgalerie. Photo: bpk / Jörg P. Anders, © VG Bild-Kunst, Bonn 2014
until August 31, 2014
Otto Piene
More Sky
Deutsche Bank KunstHalle
Unter den Linden 13/15, Berlin