Nicola López (b. 1975, Santa Fe, New Mexico) creates sculptural forms and environmental installations with woodblock-printed elements, often constructed out of Mylar. For her Intervals project, she engages the Tyvek scrim that temporarily encloses and conceals the atrium of the Frank Lloyd Wright–designed Guggenheim Museum.
The site-specific intervention of Landscape X plays with the conditions of anticipation and imminence by appropriating the visual vocabulary of construction sites. Orange danger barriers, chain-link fencing, and barbed wire are translated via woodblocks that have been carved with irregularities and distortions and printed on pliable materials. The cacophony of forms, including other citations of urban infrastructure, not only signals the hidden activity, but also presents flux and process as phases to contemplate.
Landscape X encourages trespassing, or straying into the wrong lane, providing a visual field that leads the eye from wall to ceiling to floor.

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