Arata Isozaki’s Disney Team Building in Orlando, which was opened in 1991, is still the most architecturally pure of Disney’s buildings. The long side wings, where 1200 people work, are fully integrated into the scheme and form the necessary counterbalance to the exploding cascades of the central part of the building.
The large rotunda, open at the top, is also a sun dial, the largest in the world. Thus, even Disney’s most abstract building tells a story, the story of time. And finally the stylised ears of the mouse recall Isozaki’s numerical and formal reference to Marilyn Monroe’s curves in his MoCA in Los Angeles. The form, materials and colours of the building are echoed in the large paintings by Sol LeWitt which hang in the atria.
Team Disney Building in Orlando, Florida by Arata Isozaki & Associates
On the occasion of Arata Isozaki’s 2019 Pritzker Prize win, we revisit our 1996 review of the Team Disney Building – “the most architecturally pure" of Disney’s building empire.
Arata Isozaki, Team Disney Building, Orlando, Florida, 1991.
First floor plan
View Article details
- Stanislaus von Moos
- 14 March 2019
The article was originally published in Domus 787 in November 1996 as part of a report on The Disney Syndrome. The Disney Syndrome is actually a general theme in a kind of entertainment architecture that is becoming ever stronger. It is still not recognised as serious architecture. But it can be argued that this kind of architectural programme was actually invented by the Disney Corporation and has been built with exemplary perfection.
- Arata Isozaki & Associates
- Hunton Brady Pryor Maso Architect
- Walt Disney World Resort
- 1991
The eastern and western facades of the buildings are reflected in the artificial pools, in which the water level is kept constant. According to Isozaki, the genesis of this scheme is due to an early helicopter flight over the site. The ground beloe, covered with vegetation, looked like an ocean to him, and he conceived the image of a ship-shaped structure
The huge cylinder whose interior forms a sun dial
The four-storey wings containing offices feature 26 murals by Sol LeWitt
In the 36 metre high smokestack the huge size generates an nearly physical sensation of the concept of time