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Klimahouse 2025: twenty years of sustainability
Now in its 20th edition, the international trade fair dedicated to responsible construction, energy efficiency and building renovation will be held in Bolzano from 29 January to 1 February.
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Life in our everyday spaces is a dynamic phenomenon, permeable to changes in society and our values. Take, for instance, the always-connected existence and the accelerated pace that defines contemporary life: it’s inevitable that the objects around us are influenced by these trends, changing form to adapt to this new ecosystem.
But how do these new types of objects come into existence? And which emerging behaviors do they reflect? It’s difficult to give a definitive answer. Yet, in compiling this small survey of objects that, over the past quarter-century, have transformed in both form and function, some recurring themes stand out more than others. The first is mobility. With our lives less tethered to fixed locations, portability has become a key value, simplifying our routines, while multifunctionality allows us to do more with less.
Doing more with less also means grappling with the shrinking size of our homes, especially in urban environments. The cleverness of objects becomes a significant added value, enabling a puzzle-like adaptability that is never punitive but instead imbued with a sense of playful satisfaction. Indeed, our living spaces seem to transcend the formalism imposed by certain conventions—like etiquette or class expectations regarding hospitality—turning objects into tools that embody casualness, irony, and the element of surprise.
In a world overwhelmed with stimuli, the flip side of the coin is introspection: some objects enable a kind of mental retreat, shielding us from the fatigue of hyperconnectivity. In a world increasingly burdened by the climate crisis, the methods of sustainable production are also changing. Our adaptation in this area is likely too slow, but some objects already seem poised to embed sustainability into their new genetic code. They remind us that, in some cases, changing form is not just a stylistic whim but a necessity.
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Mayday, Konstantin Grcic, Flos, 1999
Inspired by the mechanic’s lamp, Mayday is an emblem of versatility, reflecting the needs of an increasingly nomadic user seeking multifunctionality. Lightweight and easy to carry, it can be used on a work surface, hung from a hook, or suspended from the ceiling—a synthesis of floor, table, and pendant lamps. Thanks to its long cable—exceptionally long in the outdoor version—that cleverly wraps around its handle, Mayday can be used even when power outlets are not within reach. Made of injection-molded polypropylene, it epitomizes accessible and democratic design, blending aesthetic appeal with affordability, allowing design enthusiasts on a modest budget to express their tastes.
photo: Franck Huisboner
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Mayday, Konstantin Grcic, Flos, 1999
photo: Tommaso Sartori
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Sella, Muista
We are becoming increasingly conscious of spinal health, and unconventional seating solutions are gaining traction. Inspired by the posture one adopts while riding, the Saddle Stool keeps the body active by engaging the leg muscles and encouraging a non-curved spinal position.
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Sella, Muista
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Fitball, Bloon
Bloon’s fitball operates on the same principle of constant spinal mobility. Borrowed from the world of fitness, it demands an active leg posture for balance. To integrate into domestic spaces, the fitball has been reimagined with a textile cover that makes it more suitable for living rooms than gyms.
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Fitball, Bloon
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Installation small, Muller Van Severen, 2012
One of the most iconic furniture pieces of the 2010s, this multifunctional structure resembles a micro-architecture. Contrary to the assumption that it’s best suited to small spaces, this unclassifiable piece claims center stage in any room, acting as a statement for those who find in its minimalist, colorful design a mental haven for focus and reflection.
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Installation small, Muller Van Severen, 2012
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Surfaces sonores, Pierre Charrié, 2015
Can an object hide its true function while pretending to have another? Absolutely, reflecting a growing appreciation for divertissement that is steadily finding legitimacy in the homes of the most discerning design enthusiasts. Charrié’s Surfaces Sonores follows this playful logic. Disguised as a sculptural wooden screen, it conceals speakers that vibrate as soon as an acoustic resonator is placed against them, surprising anyone unaware of its mechanism.
photo: Lise Gaudaire
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Surfaces sonores, Pierre Charrié, 2015
photo: Damien Arlettaz
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Surfaces sonores, Pierre Charrié, 2015
photo: Damien Arlettaz
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De-dimension A B, Jongha Choi, 2016
The statistics are clear: in urban spaces, particularly in megacities, apartments are becoming increasingly smaller. This compels us to develop new strategies for managing the presence of essential objects. Jongha Choi offers a brilliant response to this challenge. When folded and hung on the wall, his metal stool-low table takes the form of a hyper-graphic decoration. It is only when unfolded into three dimensions that its true functional nature is revealed.
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De-dimension A B, Jongha Choi, 2016
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De-dimension A B, Jongha Choi, 2016
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Nascondino, Pierre Emmanuel Vandeputte, 2016
Always connected and constantly bombarded by endless notifications, people are increasingly seeking new pockets of peace. Nascondino addresses this need. A hidden space for disconnecting or a distraction-free zone dedicated to meditation, Nascondino allows us to free our minds from cognitive overload, recharging through the creation of a quiet retreat.
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Nascondino, Pierre Emmanuel Vandeputte, 2016
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Window garden pendant, Big, Danese Milano, 2016
The idea of cultivating greenery within our living spaces, using methods borrowed from industrial production, no longer feels overly forced or out of place. Born from this awareness, the Window Garden Pendant makes its way into our homes. Designed by BIG, the system enables the growth of plants through hydroponic cultivation—nurturing a small domestic oasis, whether for decorative plants, aromatic herbs, or even a few vegetables.
Courtesy Danese Milano
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Window garden pendant, Big, Danese Milano, 2016
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Grafeiphobia, Geoffrey Pascal, 2018
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Grafeiphobia, Geoffrey Pascal, 2018
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Grafeiphobia, Geoffrey Pascal, 2018
When Geoffrey Pascal launched Grafeiphobia, remote work was not as widespread as it is today. Yet, even eight years ago, there was a growing number of people working from their beds. Pascal designed this collection with them in mind, envisioning structures for reading, studying, and working that have nothing to do with the traditional table-and-chair combo. Instead, they aim to accommodate the body’s desire for unconventional positions. The ergonomics of Grafeiphobia mimic the posture we adopt in bed while also drawing inspiration from what NASA calls the Neutral Body Position, where the body minimizes the effort required to support itself against gravity.
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String Museum, TAF Studio, String Furniture, 2020
After working in bed comes dining on the sofa. Increasingly common, this trend thrives during casual home gatherings—think of recently coined terms like apericena (a blend of aperitif and dinner)—where tapas or full dishes are served in abundance while seated on the couch. The coffee table from the String series caters perfectly to this lifestyle. A knob allows its height to be adjusted at will, making it suitable for a variety of uses as a surface. This design was originally created for the furnishings of the National Museum of Stockholm.
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String Museum, TAF Studio, String Furniture, 2020
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String Museum, TAF Studio, String Furniture, 2020
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Tyde, Ronan e Erwan Bouroullec, Vitra, 2021
New generations of workers are embracing standing workstations, touted for their ability to improve focus and promote physical well-being, especially when alternated with seated positions. Tyde, designed by the Bouroullec brothers, is a versatile workstation system featuring extendable legs that allow for height adjustment. In office settings, it enables the creation of work surfaces at varying heights, offering the flexibility and modularity needed to support a diverse range of tasks.
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Tyde, Ronan e Erwan Bouroullec, Vitra, 2021
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Tyde, Ronan e Erwan Bouroullec, Vitra, 2021
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Furniture for a Human and a Parrot, Studio Ossidiana, 2021
Conceived during the pandemic, this furniture collection embodies the integration of multispecies coexistence within domestic spaces, in this case between two people and a parrot. The pieces—tables, chairs, and Windsor-style stools—are fitted with perches and rods, providing a landing and resting spot for the parrot. This setup fosters an opportunity for mutual companionship, creating a close-living arrangement that transcends the concept of cages and, consequently, the separation from the pet.
photo: Riccardo de Vecchi
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Furniture for a Human and a Parrot, Studio Ossidiana, 2021
photo: Riccardo de Vecchi
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Soft brick, Nendo, ichido°, 2022
The Japanese studio Nendo has designed a modular sofa inspired by the Tetris video game. Like an optical illusion—a signature design feature of Oki Sato, the founder of Nendo—the sofa can be unfolded and reassembled according to needs. Its shape allows for the integration of a new module, transforming it from a two-seat to a three-seat sofa. This flexibility is increasingly sought after in domestic spaces, which are progressively moving away from fixed and unchangeable furniture systems.
photo: Akihiro Yoshida
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Soft brick, Nendo, ichido°, 2022
foto: Akihiro Yoshida
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La sedia dei vestiti, Fabio Novembre, Whirpool, Natuzzi, 2024
Once upon a time, there was the valet stand, a tidy domestic assistant where we would typically, and often diligently, fold our clothes. The contemporary version, much more casual, is brought to us by Fabio Novembre with the new "clothes chair," developed in collaboration with Whirlpool. The starting idea stems from a study conducted by the appliance brand: many of our clothes, after being worn once, are left abandoned. The clothes chair, therefore, offers a solution to manage this chaos, but also to reduce the frequency of washing clothes. Hung on the chair’s arms, instead of being carelessly piled up, the garments can air out and be ready for re-wearing before needing a wash.
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La sedia dei vestiti, Fabio Novembre, Whirpool, Natuzzi, 2024
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Rewear chair, Ucommon creative studio, Ecover, 2024
Another variation of the clothes chair, presented at the latest Dutch Design Week under the auspices of Ecover. The extendable arms can be opened to hold a week's worth of clothes, or closed to reclaim space, returning the chair to the form of a classic armchair.
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Rewear chair, Ucommon creative studio, Ecover, 2024
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Olaf, Natacha Sacha, in collaboration with Kvadrat
What if it were the objects themselves that warm us through proximity, instead of radiators designed to heat an entire room uniformly? This premise is starting to gain traction, envisioning a future where, driven by sustainability needs, we reconsider the ways we get through our (increasingly mild) winters. The French duo Natasha Sacha, in this regard, proposes heated cushions, here covered with Kvadrat fabric and stuffed with natural horsehair foam without latex. Battery-powered, with a four-hour battery life, the cushion consumes 25 W/h, compared to the 2000 W/h of a standard heating system. Rechargeable by induction, it features a power button. Once pressed, it emits heat for fifteen minutes but can be reactivated as needed.
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Olaf, Natacha Sacha, in collaboration with Kvadrat
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Glass takes centre stage in Conad's new headquarters
AGC Flat Glass Italia played a key role in the design of Sidera, the new headquarters of the CIA Conad Group on the outskirts of Forlì.
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