Bombay Beach Biennale, Slab City and the Sonoran Desert

A place in California mixes a toxic lake, a self-managed community, an independent art festival and Hollywood. Four ingredients that are injecting life back into it.

While watching the filming of a documentary, we discover an America on the edge, surrounded by the breathtaking scenery of the Imperial Valley and about an hour from Palm Springs. Our destination is the Bombay Beach Biennale and Slab City, an informal settlement in the heart of the desert. Inhabited by numerous Burners (“Burning Man” activists), Bombay Beach lies on the shores of the Salton Sea, a lake formed less than 100 years ago.

Img.1 Stefan Ashkenazy & Sean Dale Taylor, The Drive-in, Bombay Beach Biennale, 2018. Photo Daniella Midenge
Img.2 Stefan Ashkenazy & Sean Dale Taylor, The Drive-in, Bombay Beach Biennale, 2018. Photo Amanda Vandenberg
Img.3 Olivia Steele, Save Me, installation on the Salton Sea, Bombay Beach Biennale 2018. Photo Anya Kaats
Img.4 Randy Polumbo, Angler Grove, Bombay Beach Biennale 2018. Photo Amanda Vandenberg
Img.5 Randy Polumbo, Angler Grove, . Photo Amanda Randy Polumbo, Angler Grove, Bombay Beach Biennale 2018. Photo Amanda VandenbergVandenberg
Img.6 Mark Mack Suprastudio, Mirage Lights, Ideas Ucla, Bombay Beach Biennale 2018. Photo Anya Kaats
Img.7 Mark Mack Suprastudio, Mirage Lights, Ideas Ucla, Bombay Beach Biennale 2018. Photo Amanda Vandenberg
Img.8 Mark Mack Suprastudio, Mirage Lights, Ideas Ucla, Bombay Beach Biennale 2018. Photo Nicolas De Panam
Img.9 Mark Mack Suprastudio, Mirage Lights, Ideas Ucla, Bombay Beach Biennale 2018. Photo Sarah De Remer
Img.1 Shig, Jessica Steiner, Ashley Hillis, Tessa Mac and Tao Ruspoli, The Tesseract, Bombay Beach Biennale 2018. Photo Amanda Vandenberg
Img.10 Shig, Jessica Steiner, Ashley Hillis, Tessa Mac and Tao Ruspoli, The Tesseract, Bombay Beach Biennale 2018. Photo Sarah De Remer
Img.11 Shig, Jessica Steiner, Ashley Hillis, Tessa Mac and Tao Ruspoli, The Tesseract, Bombay Beach Biennale 2018. Photo Anya Kaats
Img.12 Bombay Beach Biennale 2018. Photo Daniella Midenge
Img.13 James Ostrer, The Bombay Beach Opera House. In this image San Francisco Ballet prima ballerina Maria Kotchekova and her partner Sebastian Kloberg, Bombay Beach Biennale 2018. Photo Leslie Lausch
Img.14 Camille Schefter, Limit to evidence, Bombay Beach Estates, 2018. Photo Nicolas De Panam
Img.15 Installation at the Bombay Beach Estates, Photo Daniella Midenge
Img.16 Greg Haberny, The Hermitage Museum Bombay Beach, 2018. Photo Sarah De Remer
Img.17 Installation by Randy Polumbo, Bombay Beach Biennale 2018. Photo Sarah De Remer
Img.18 Giancarlo Neri, Moontruck, 2018. Photo Tao Ruspoli
Img.19 Stefan Ashkenazy, Shaguar, 2018. Photo Nicolas De Panam
Img.20 Marco Walker, installation on the beach, Bombay Beach Biennale, 2018. Photo Nicolas De Panam
Img.21 Marco Walker, installation on the beach, Bombay Beach Biennale, 2018. Photo Amanda Vandenberg
Img.22 Marco Walker, installation on the beach, Bombay Beach Biennale, 2018. Photo Amanda Vandenberg
Img.23 Marco Walker, installation on the beach, Bombay Beach Biennale, 2018. Photo Amanda Vandenberg
Img.24 Installation at the Hermitage Museum Bombay Beach, 2018. Photo Sarah De Remer
Img.25 Funky Beach Hot air Baloon, Bombay Beach Biennale 2018. Photo Amanda Vandenberg
Img.25 Funky Beach, Bombay Beach Biennale 2018. Photo Oscar Contreras
Img.26 The Institute, Bombay Beach Biennale 2018. Photo Anya Kaats
Img.27 Salton Sea, Bombay Beach Biennale 2018. Photo Tao Ruspoli
Img.28 The Institute, Bombay Beach Biennale 2018. Photo Tao Ruspoli
Img.29 Sean Guerrero, El barco de la muerte, Bombay Beach Biennale 2018. Photo Tao Ruspoli
Img.30 Michael Mikel (co-founder of the Burning Man) at the Bombay Beach Biennale 2018. Photo Amanda Vandenberg
Img.31 Salvation Mountain, Slab City, 2018. Photo Marianna Guernieri
Img.32 East Jesus, Slab City, 2018. Photo Marianna Guernieri
Img.33 The ashes of Charles Russell, East Jesus, Slab City, 2018. Photo Marianna Guernieri
Img.34 East Jesus, Slab City, 2018. Photo Marianna Guernieri

In 1905, the Colorado River flooded following a miscalculation by California Development Company engineers who, in an attempt to improve the irrigation system, created one of America’s least-known environmental disasters. In 1908, California’s largest artificial lake (890 km²) was born and its shores became a holiday destination in the 1950s favoured by Frank Sinatra and the Beach Boys. Over time, soil salinity and pesticides exterminated most of the fish and tons of toxic algae were dumped in the water. The beaches became an abandoned outdoor ossuary. Bombay Beach is one of many Census Designated Places: areas identified only for statistical purposes. Its approximately 300 inhabitants come from highly diverse backgrounds and with stories that often speak of poverty but also resilience.

“The good Lord brought me here,” is how many people explain why they chose to live in this place. Some moved here to treat their cancer in Mexico at affordable prices; others sold their cows and pigs to buy a piece of land; others wanted to start a new life after prison. There are Vietnam veterans, religious activists, musicians and retirees. The heart of the community is the Ski Inn, a bar with walls lined with thousands of one-dollar bills. This is a bruised but combative America where the welfare system is revealed in all its fallibility and contradictions.

The trip to the Bombay Beach Biennale followed the filming of the Elysian Fields film-documentary, directed by Susanna Della Sala, cinematography by Andrea José di Pasquale. In this video-still, Brotherjohn Spoon and Joshua Spoon, 2018

This settlement in the deep Californian South comes to life three days a year for an eccentric, dreamy and hedonistic festival that, before the amused eyes of its inhabitants, rocks the town with the arrival of Angelenos “radicals” accompanied by artists, Harvard, UCLA and Columbia professors, Balkan musicians, archistars and architecture students, as too the most underground parties, performers, circus acts, opera singers, San Francisco Opera dancers, actors and models. Then the locals realise that the old abandoned shacks can be converted into incredible spaces. “This place was exploited for its scenic effects to shoot movies. When they’d finished filming, everything disappeared,” explains Tao Ruspoli, the Italian-American filmmaker who founded the Biennale with Stefan Ashkenazy, owner of an art hotel in Hollywood, and Johnson & Johnson heiress Lily Johnson White. The festival was thought up to highlight environmental urgencies and contribute to the rebirth of the town along with its residents: decay as a means of regeneration through art.

Opening image: a house in Bombay Beach, photo Anya Kaats

  • Bombay Beach Biennale
  • Bombay Beach, California
  • sometime in March/April
  • Tao Ruspoli, Stefan Ashkenazy, Lily Johnson White
  • Elysian Fields
  • Susanna Della Sala
  • Andrea José di Pasquale