Tresoldi and DLE envisioned a garden where architecture and nature dance together in continuous connections and contrasts, whose peculiarities, in the Renaissance meaning, are filtered, absorbed and interpreted by the contemporary man. The set-up is a symphonic space where classical archetypes interact with the signs of the modernist language. Using transparencies and their broken rhythms, Tresoldi cuts and breaks up classical harmonies with elements of absolute geometry such as spheres, cubes, and planes. The overall effect results in a continuous evolution of architectural abstractions and evanescent distortions.