A graphic architecture: the new striped housing of Studio Thonik in Amsterdam

Visual research, spatial quality and technological experimentation combine in the first project in three dimensions by the Dutch graphic design firm.

The new housing of Studio Thonik in Amsterdam is certainly not a sober, understated architecture, one that would easily go unnoticed. On the contrary, the building is literally and blatantly a striped one. Its designers – Thomas Widdershoven, co-founder of Thonik, and Arjan van Ruyven from MMX Architecten – know it well, and they even go as far as to claim that “its pattern makes this architecture a self-referential act of underscoring itself”.

In plan as well as in section, the spatial organization is quite ordinary, with slabs piled at equal distance, each one conceived as an open space platform. The program is interesting but not revolutionary: a bar on the ground floor, a restaurant on the first level, the offices of Studio Thonik on the intermediate floors and an event space on the last floor, covered by the accessible roof terrace. The project’s main element of originality are indeed its elevations.

Thomas Widdershoven (Thonik) in collaboration with Arjan van Ruyven (MMX Architecten), new housing for Studio Thonik, Amsterdam, The Netherlands, 2020
Thomas Widdershoven (Thonik) in collaboration with Arjan van Ruyven (MMX Architecten), new housing for Studio Thonik, Amsterdam, The Netherlands, 2020

The building aligns on the Wibaustraat, a former urban highway, recently re-designed as a pedestrian and bike friendly city boulevard. Widdershoven and van Ruyven describe it as “a unique collection of individual, and individualistic buildings”. In this context, where each construction is striving to be a protagonist, the new housing of Studio Thonik raises the stakes: its façades are glazed for the 50% of their surface, the rest of it entirely clad in high-pressure laminate slats, manufactured by Dutch producer Trespa.

Technological experimentation goes hand in hand with graphic culture – the pattern is inspired by the Mexcellent typeface, originally drawn for the Mexico City Olympics of 1968 – as well as with architectural culture. The boards layout varies to comply with and highlight the different architectural elements: vertical and horizontal structures, balconies, and the exception of the diagonal open air staircase. The final result is hypnotic from all viewpoints. Like it or not, it is undoubtedly the outcome of a virtuous exchange between the skills of neighboring disciplines.

Thomas Widdershoven (Thonik) in collaboration with Arjan van Ruyven (MMX Architecten), new housing for Studio Thonik, Amsterdam, The Netherlands, 2020
Thomas Widdershoven (Thonik) in collaboration with Arjan van Ruyven (MMX Architecten), new housing for Studio Thonik, Amsterdam, The Netherlands, 2020
Project:
new housing for Studio Thonik
Program:
office building
Location:
Amsterdam, The Netherlands
Architects:
Thomas Widdershoven (Thonik) in collaboration with Arjan van Ruyven (MMX Architecten)
Interior design:
Thomas Widdershoven, Nikki Gonnissen
Completion:
2020

Latest on Architecture

Latest on Domus

Read more
China Germany India Mexico, Central America and Caribbean Sri Lanka Korea icon-camera close icon-comments icon-down-sm icon-download icon-facebook icon-heart icon-heart icon-next-sm icon-next icon-pinterest icon-play icon-plus icon-prev-sm icon-prev Search icon-twitter icon-views icon-instagram