Sgarbi-Isozaki: the controversy on the Uffizi drags on

The row over the new "Grandi Uffizi" in Florence continues to rage. And the stumbling-block is still Arata Isozaki’s project, fiercely opposed by the Under-secretary for the Arts, Vittorio Sgarbi. Sgarbi has refused permission to start construction, which had been scheduled for the beginning of this year under the terms of the contract, signed by Isozaki and the Comune di Firenze in February 2001. "Just because somebody wins a competition, judged only on paper, that does not mean he can create havoc in a city renowned for its art", declares Sgarbi.

Isosaki for his part does not seem prepared to retouch the design: a loggia with a steel and glass structure clad in serena bluish sandstone (which Sgarbi has compared to the "springs of a large mattress"), and for which 13 and a half billion italian lire have been allocated: split between the City Council and the Ministry. Or at any rate, he is not prepared to distort that project. "We have spoken several times with the inspector for Florence’s museums, Antonio Paolucci, and with the Florence City Council. The decision was to go ahead with the original project, about which they are enthusiastic", stated the Japanese architect, who is also engaged on redesigning the square in front of the building.

Meanwhile the Minister for Cultural Affairs, Giuliano Urbani, tried to intervene during his last visit to Florence in late February, when he promised to unfreeze the situation quickly. The upshot is that whilst the opening set for 2003 looks increasingly remote, Isozaki, the winner of a regular competition in 1998, might even claim damages and start international proceedings. These would not involve the Comune, who are fully agreed on the start of construction and have always maintained a consistent, correct and transparent attitude.

It is not the first time Sgarbi has gone out of his way to torpedo contemporary architects summoned to compare themselves with Italy’s historic heritage. The under-secretary sided against the project by Richard Meier for the Ara Pacis in Rome, against the redevelopment of the Orto dell’Abbondanza at Urbino by Giancarlo de Carlo and against the scheme to rearrange the Theodoric Mausoleum at Ravenna, by Boris Podrecca.
The paving of the square will be partly flat and partly sloping, so as to connect the museum level to that of the street
The paving of the square will be partly flat and partly sloping, so as to connect the museum level to that of the street
The square will be adorned by four statues from the Uffizi collection or reproductions of them, placed at the four exits to the museum to link up with the design of the facade
The square will be adorned by four statues from the Uffizi collection or reproductions of them, placed at the four exits to the museum to link up with the design of the facade
For the general plan and the proportions of the building Isozaki was inspired by the Loggia dei Lanzi in piazza Signoria (see image overlapping the Uffizi building). The choice of material for the operation – serena bluish sandstone – is clearly a reference to the Florentine historical tradition
For the general plan and the proportions of the building Isozaki was inspired by the Loggia dei Lanzi in piazza Signoria (see image overlapping the Uffizi building). The choice of material for the operation – serena bluish sandstone – is clearly a reference to the Florentine historical tradition

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