Denis Esakov, the Fifth Facade. Top: Natalya Sats Musical Theatre, architect A.A. Velikanov et al, 1975–1979. Above: Universal Sports Hall Friendship, architect I.E. Rozhin et al, 1979
Denis Esakov, the Fifth Facade. Northern River Port Terminal, architect A.M. Rukhlyadev et al, 1932-1937
Denis Esakov, the Fifth Facade. Rusakov Worker's Club, architect K.S. Melnikov, 1927-1929
Denis Esakov, the Fifth Facade. Khavsko-Shabolovsky Residential Complex, architect N.N. Travin et al, 1927-1930
Denis Esakov, the Fifth Facade. House on Embankment, architect B.M. Iofan et al, 1928-1931
Denis Esakov, the Fifth Facade. Zelenograd Central Square, architect I.A. Pokrovsky et al, 1975
Denis Esakov, the Fifth Facade. Dinamo Sport Palace, architect E.G. Rozanov et al, 1977-1980
Denis Esakov, the Fifth Facade. Moscow Youth Palace, architect J.B. Belopolsky et al, 1972-1982
Denis Esakov, the Fifth Facade. Ambassador's House Residential Complex, architect A.A. Skokan et al, 2004
Denis Esakov, the Fifth Facade. ARMA Factory Office Complex, architect V.S. Labutin et al, 2012-2015
The increasingly popular technique of drone photography gives us the ability to fly over familiar buildings and to see them from above, exposing to us the fifth facade which is usually concealed from our eyes. Until recently, it was only architects themselves and their clients who had the opportunity to examine models of buildings and see them from all sides. In his Fifth Facade series Esakov does not try to pick out individual parts of a building; what interests him is the building as a whole. Rejecting purely artistic effects, decorativeness, and attempts to transform reality into something else, the photographer spent more than a year painstakingly working on his series in order to create a “volumetric portrait” of each building.