Domus’ journey through Italy continues, the fifth stage in the dialogue on the peninsula with which the magazine has decided to symbolically close the year, the final issue acting as a semantic watershed between the two Guest Editors. Issue 1074 opens with the Editorial by Editor-in-Chief Walter Mariotti, dedicated to a survey on the evolution of Italian museums and cultural institutions and the protection and preservation of their identity.
This is followed by an Essay by historian Fulvio Irace highlighting a polycentric cultural model in Italy, which assumes the municipal and regional heritage as a platform or network of radiating points that invigorates the urban fabric. “What the country needs, in fact, is a policy of collaboration and interaction that must be encouraged and fostered by the State with a far-sighted policy of economic and legislative support, outside any anachronistic division between public and private”.
Domus 1074 is on newsstands, a journey through Italy and its art
With December’s magazine we reach the fifth stage of our annual journey along the peninsula. Browse the gallery to discover the magazine's contents.
Text Walter Mariotti. Photo Roberto Marossi. Courtesy of Fondazione Prada
Text Fulvio Irace. Photo Roberto Serra
Text Valentina Croci. Photo © Pietro Savorelli
Text Giulia Ricci. Photo © Hufton + Crow
Text Alessandro Benetti. Photo © Mikael Olsson
Text Marianna Guernieri. Photo Giovanni de Sandre
Text Federico Ferrari. Photo Marco Cappelletti
Text Nina Bassoli. Photo Piercarlo Quecchia
Text Cecilia Fabiani. Photo © Mario Wurzburger / Studio Hänninen
Text Angela Maderna. Photo Filippo Maria Nicoletti. Courtesy of the artist, Galleria Lia Rumma, Fondazione Merz
Courtesy Carlo Stanga
Text Flavio Albanese, Paola Antonelli, Barry Bergdoll, Sean Kelly, Linda Johnson, Vittorio Magnago Lampugnani, Dame Laura Lee, Guy Nordenson, George Quasha, Thom Mayne, Cristina Steingräber, Billie Tsien, Nicholas Fox Weber. Photo Ramak Fazel
Text Walter Mariotti. Photo Ramak Fazel
Text Steven Holl. Illustration © Steven Holl
Text Alessandro Benetti. Photo Paul Warchol
Text Federico Ferrari. Photo Iwan Baan
Text Diana Carta. Photo courtesy of Steven Holl
Text Toshiko Mori. Photo courtesy of the Town of Higashikawa, Hokkaido
Text Marianna Guernieri. Photo Iwan Baan
Text Alessandro Benetti. Photo Greg Richards. Courtesy of Brooklyn Public Library
Text Fred Bernstein. Photo © Paul Warchol
Photo Ramak Faze
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- La redazione di Domus
- 10 December 2022
The Architecture section opens with a review of interstitial urban spaces and abandoned or inaccessible places that become centers for contemporary culture. In an integrated vision that aims to reconnect with the fabric of the city, even through new business models – from the Rifugio Digitale (Digital Shelter) in Florence, a 40 x 3 m former anti-aircraft tunnel designed in 1943, to the new center for architecture to be built inside the Magazzini Raccordati in Milan.
We continue with the RCF Arena designed by Iotti + Pavarani Architetti, located in the non-operational area of the Reggio Emilia airport has taken on a stable form that follows its vocation as a venue for events dedicated to international concerts and local initiatives. In Vicenza, AMAA designs an artistic association, creating a series of thresholds that emphasize the multiplicity of activities taking place in the small complex. Next, Mario Cucinella redesigns the rooms of the Luigi Rovati Foundation, which combines Etruscan artifacts and contemporary art through an intervention that creates new spaces and restores existing ones. Finally, Cariana Mezzalira Pentimalli works in the Biblioteca Civica in Bressanone, where she stitches together and expands a pre-existing system in the historic center with a new structure.
Approaching the field of landscape, Nina Bassoli takes us on an experimental tour of cultural spaces away from the city, where there is fertile ground for designers who want to construct meanings through architecture. These are projects aimed at the landscape and, often, at the transformation of a pre-existence, which tend to consider a broad spectrum of real-world elements as a reference context, from very specific figures of local tradition to data concerning physical and environmental conditions to technical notes on materials or regulations.
For Design, Cicilia Fabiani recounts from the North to the South of the peninsula, five exemplary cases show how design can be a source of cultural enrichment for the territory and social cohesion for the communities that inhabit it: Assab One (Milan), Circolo del Design (Turin), San Patrignano Design Lab (Coriano, Rimini), Orografie (Catania), Pretziada (Sulcis, South Sardinia). In closing, Angela Maderna recounts for the Arte all’ column the universe of contemporary art in Italy, with its capacity to take root in the territory to initiate a socio-cultural, as well as physical and material, transformation. The examples highlight the increasingly profound desire on the part of contemporary art institutions to take root in the territory with the intention of inducing a socio-cultural transformation even before a physical and material one.
In addition, with this month’s issue you will find an enclosed monograph dedicated to Steven Holl and Toshiko Mori, the new 2023 Guest Editors of Domus. We open the attachment with the section Opinios, in which architects are celebrated in the words of prominent architects and others, including Flavio Albanese, Paola Antonelli. Barry Bergdoll, Linda Johnson and Vittorio Magnago Lampugnani. Walter Mariotti’s Interview follows, where the two different personalities, who share a common understanding of the responsibility of architecture, anticipate what the Domus of 2023 will be like. Underlying their open, interdisciplinary approach is a conviction of the need to save and restore the natural habitat as best they can, as well as to raise the quality of the built environment in cities.
This is followed by a writing by Steven Holl from 5 May 2020, at the height of the initial phase of the pandemic that claimed 30,000 lives in New York. “This period was crucial to revise our thinking. The entire planet is a living organism, the cure of which must henceforth be a new and unquestionable goal for humanity”. His architecture includes the Susan and Benjamin Winter Visual Arts Centre that Steven Holl realized in the Franklin & Marshall College in Lancaster, an architecture of relatively small scale, but of remarkable complexity and spatial generosity. Next, the new Queens Public Library is located in Long Island City: an isolated volume on a relatively small scale, it stands out as an urban signal.
In his introductory essay, Toshiko Mori recounts the Asana H chair, a global yet personal story of alignment and resilience. On the one hand, it is designed to promote correct posture, as taught by the practice of yoga and meditation. On the other, it is designed as a gift for those who support the regeneration of the town of Asahikawa, on the island of Hokkaido. Next we see the Watson Institute, built in the heart of the exclusive College Hill university district in Providence, where the architect designed the extension in 2016. Finally, the Brooklyn Public Library, where Mori led the overall planning and design of what she calls a “crucial element of New York’s cultural infrastructure”.
Also included with the December issue is the quarterly domusair, dedicated to aviation, infrastructure and relations. In this number, dedicated to human-friendly cities and mobility hubs, you'll find projects, including the new route to Mecca, car-free smart cities that large automotive companies are working on, and a new vision for the reconstruction of the Ukrainian city of Mykolav in the sustainability section.
Domus editorial director Walter Mariotti devotes the new issue to a survey of the evolution of Italian museums and cultural institutions and the protection and preservation of their identity.
The relationship that is created between time and landscape is clear p that is created between time and landscape is clear in the construction formulas that govern it.
Interstitial urban spaces and abandoned or inaccessible places are becoming centres for contemporary culture. An integrated vision that aims to recover connections with the city fabric, in part through new business models.
The non-operational area of Reggio Emilia Airport has taken on a permanent form that fulfils its vocation as a venue for events such as international concerts and local initiatives.
To bring together the existing elements and house an artistic association, the design creates a series of thresholds that emphasise the multiplicity of activities thattake place in the small complex.
The museum, located in a building in the heart of the city, combines Etruscan relics and contemporary art with a project that creates new spaces and restores historical ones.
The new building unites and extends a series of existing structures in the historic centre, expanding the classic functions of the library into a multifaceted programme of cultural activities.
Experimentation on cultural spaces is being carried out far from the city, in places that offer fertile ground for architects who want to build meanings through architecture.
From the North to the South of the peninsula, five exemplary cases show how design can be a source of cultural enrichment for local areas and of social cohesion for the communities that live there.
Contemporary art shows its ability to root itself in local areas to start a sociocultural as well as physical and material transformation.
Carlo Stanga, Anastasia2, 2022
A sequence of architects and theorists recount their experience of meeting the design duo.
Two diverse personalities with a shared understanding of the responsibility of architecture talk about their concept for Domus during the year 2023.
This text – written on 5 May 2020, at the height of the early pandemic with 30,000 lost in New York City – stands today as a reflection on that historic moment.
The Susan and Benjamin Winter Visual Arts Center designed by Steven Holl Architects for Franklin & Marshall College in Lancaster, Pennsylvania opened in August 2020. The building is relatively small, but possesses noteworthy complexity and spatial generosity.
The new building for the Queens Public Library is located in Hunters Point, a neighbourhood of Long Island City in the borough of Queens, overlooking Manhattan. Designed by Steven Holl Architects, the library opened in 2019.
Steven Holl’s emotional geography doesn’t run a straight line through a uniform progression of events. Rather it is traced out by the continuous before-and-after links of a person living in incessant movement.
The Asana H chair tells a story of alignment and resilience that is at once global and personal. On the one hand, it was designed to favour correct posture as taught by the practice of yoga and meditation. On the other, it was conceived
In 2016, in the heart of the historical College Hill neighbourhood of Providence, Rhode Island – home to Brown University and Rhode Island School of Design – Toshiko Mori Architect designed an extension for Brown University’s Watson Institute for International and Public Affairs.
The importance of being a social and cultural haven in the inhospitable vastness of the typical capitalistic American city is well illustrated by the central branch of the Brooklyn Public Library, a designated New York City landmark built in 1941.
Her connection to her sites is never superficial, and her buildings are the proof. One corollary to Mori’s strong sense of place is that once she builds in a city, she usually builds in that city again.
Also included with the December issue is the quarterly domusair, dedicated to aviation, infrastructure and relations. In this number, dedicated to human-friendly cities and mobility hubs, the projects, including the new route to Mecca, car-free smart cities that large automotive companies are working on, and a new vision for the reconstruction of the Ukrainian city of Mykolav in the sustainability section.