The 17th International Architecture Exhibition will be held from August 29 to November 29 in Venice, at Giardini and Arsenale. Lebanese architect Hashim Sarkis will be the curator for the edition titled “How will we live together?”, while Roberto Cicutto replaced Paolo Baratta at the presidency.
Today, during the online presentation, Paolo Baratta asks what an architecture exhibition means: it’s a dialogue among architects, he explains, but also a way to make the public a careful visitor, feeding the desire of architecture.
MAEID [Büro für Architektur und transmediale Kunst], “Excavation Area,” Magic Queen [from the series Artificial Ecologies], 2020.
Osbourne Macharia, “GIKOSH: Example of Photographic art projects involving the creative Millenial within the informal settlements in Nairobi,” Keja,” 2019.
Lina Ghotmeh — Architecture, “Stone Garden North Façade,” Stone Garden under construction a year ago, 2020.
PRÁCTICA, “River Somes, Urban Beach,” River Somes: Across Communities and Ecosystems, 2017-ongoing.
Arquitectura Expandida, La Casa de la Lluvia [de ideas] /The House of the Rain [of ideas], a cultural and environmental community space, La Cecilia neighborhood, San Cristóbal District, Bogotá D.C. Self-building process. 2012-ongoing.
raumlabor, “imaginary of a multiple use in haus der statistik - a collective civic reinvention of a disused gdr govenment building in central berlin” 2015-20.
Leong Leong, “View from Santa Monica Boulevard with Adminstrative Offices to the left and Youth Housing to the right,” Anita May Rosenstein Campus, 2019.
Enlace Arquitectura, “Compendium of Sixty Species,” Ethnobotanical dictionary of plants from gardens in La Palomera, produced as part of the program Integration Process Caracas, 2018-20.
Rural Urban Framework, “Video collage by day – dug-out house on the bottom, Chinese landscape on the top,” Split Lives: Stories from the Underground House, 2020.
Bureau of Engineering, Michael Maltzan Architecture, Inc. / HNTB Corporation, “City of Los Angeles,” Sixth Street Viaduct.
Bureau of Engineering, Michael Maltzan Architecture, Inc. / HNTB Corporation, “City of Los Angeles,” Sixth Street Viaduct.
Dogma, “You always seemed so sure that one day we’d be fighting,” The Opposite Shore, 2016-19.
MAEID [Büro für Architektur und transmediale Kunst], “Excavation Area,” Magic Queen [from the series Artificial Ecologies], 2020.
Osbourne Macharia, “GIKOSH: Example of Photographic art projects involving the creative Millenial within the informal settlements in Nairobi,” Keja,” 2019.
Lina Ghotmeh — Architecture, “Stone Garden North Façade,” Stone Garden under construction a year ago, 2020.
PRÁCTICA, “River Somes, Urban Beach,” River Somes: Across Communities and Ecosystems, 2017-ongoing.
Arquitectura Expandida, La Casa de la Lluvia [de ideas] /The House of the Rain [of ideas], a cultural and environmental community space, La Cecilia neighborhood, San Cristóbal District, Bogotá D.C. Self-building process. 2012-ongoing.
raumlabor, “imaginary of a multiple use in haus der statistik - a collective civic reinvention of a disused gdr govenment building in central berlin” 2015-20.
Leong Leong, “View from Santa Monica Boulevard with Adminstrative Offices to the left and Youth Housing to the right,” Anita May Rosenstein Campus, 2019.
Enlace Arquitectura, “Compendium of Sixty Species,” Ethnobotanical dictionary of plants from gardens in La Palomera, produced as part of the program Integration Process Caracas, 2018-20.
Rural Urban Framework, “Video collage by day – dug-out house on the bottom, Chinese landscape on the top,” Split Lives: Stories from the Underground House, 2020.
Bureau of Engineering, Michael Maltzan Architecture, Inc. / HNTB Corporation, “City of Los Angeles,” Sixth Street Viaduct.
Bureau of Engineering, Michael Maltzan Architecture, Inc. / HNTB Corporation, “City of Los Angeles,” Sixth Street Viaduct.
Dogma, “You always seemed so sure that one day we’d be fighting,” The Opposite Shore, 2016-19.
Hashim Sarkis, after a team presentation, introduces the topics of the Architecture Biennale. The curator explains the title of the exhibition: “how” means looking for concrete solutions, “will” is the power of architecture, “we” is referred to people, “live” is not simply to exist but to flourish, “together” involves universal values, and the question mark symbolizes an open question made by generations about climate change and inequalities.
The 17th Architecture Exhibition in Venice will work at different scales: body, city and plan, with a total of 114 projects from all around the world. Organized as usual in two locations, Arsenale and Giardini, the Biennale will be divided by teams and topics.
Arsenale will present architecture in human body, including technology; the second part will be dedicated to demography, with projects made for high density in cities and to provide alternative ways to reorganize spaces; the third part, prepared by universities, will include for example digital education.
Giardini will be divided in two teams: the first one talks about boundaries – political and geographic, including Amazon, oceans and a look on infrastructures. The second one is related to the future of the planet.