Designed by Ian McChesney, Blaze has been created to populate the disparate roadside verges of the
A66 in Middlesbrough—this is the first phase of the piece which can be
implemented at numerous locations along the roadside. The A66 currently
passes through the centre of Middlesbrough and for many drivers it is their
only viewpoint of the town. Blaze was conceived as a unifying treatment to
the roadside which would gradually emerge along further stretches gradually
providing Middlesbrough A66 with its own unique identity.
A series of anodised aluminium staves are set in the ground in long arrays
which give the impression of giant forms in the landscape. The arrays are
arranged in layers so that the shape of the piece transforms as people pass
by. Fabricated in gold anodised aluminium, Blaze is designed to catch the light
in unusual ways creating a bright sculptural form along the often dreary dual
carriageway landscape.
Blaze by Ian McChesney
Fabricated in gold anodised aluminium, Blaze is an artwork for the A66 designed to catch light in unusual ways, creating a bright sculptural form.
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- 28 December 2011
- Middlesbrough
Blaze originated with a proposal to create a gateway feature at the Cargo
Fleet Roundabout on the A66 in Middlesbrough. The adjacent authourity,
Redcar, had installed a series of roundabout sculptures with which this
scheme was originally to have been aligned.
Middlesbrough Borough Council working in partnership with Tees Valley Arts,
Arts Council North East, and advised by Christian Barnes, took the view that
the project should be developed as a spatial design concept. It should consist
of an integrated landscape approach that might be able to extend beyond the
Cargo Fleet roundabout populating other parts of the A66 corridor. The Cargo
Project Background
Fleet roundabout would be just the first prototype of the scheme. A range of
other sites have also been identified for the treatment including land adjacent
to Trinity Crescent, the approach to Will Alsop's Middlehaven development
and the western approaches to the town.
An RIBA competition was held in 2007 to find a designer of the scheme
which was subsequently won by Ian McChesney who proposed Blaze. The
piece was subsequently developed with engineers Atelier One and fabricator
Chris Brammall Ltd.
The form of Blaze was developed using simple array tools within Rhinoceros software providing the basic layout and form. The model was then rationalised and analysed using Grasshopper software which allowed the production of spreadsheets containing all the data needed to manufacture the staves, including exact coordinate position, lengths and XY angles. This information was made available at tender stage meaning that fabricators knew exactly the number of staves and their precise length. Original proposals included a spring at the base of each stave allowing the whole piece to move with the wind but it was felt that this was too complicated. Calculations illustrated that the staves would move a short distance in the wind anyway. Calculations were correct and Blaze can be seen to move significantly in windy weather - one further unexpected phenomenon are the strange sounds that are produced as wind passes through the sculpture.
The form of Blaze was developed using simple array tools within Rhinoceros software providing the basic layout and form.
Blaze was fabricated and installed by Chris Brammall who helped to develop
the stave mountings. It would be important for the angle of each stave to
remain adjustable when installing on site, and so to allow for this, Chris
developed a pivoting bracket detail allowing minute adjustments to be made
before the staves were clamped in place.
The brackets holding the staves were welded to long curved baseplates
which were anchored to concrete strip footings. Once the piece was
installed in position and all the angles set, the pivoting brackets were welded
up to prevent future movement. Installation of the sculpture on site was
completed in about ten days.
About 1.5 km of aluminium tubing was used in the piece allowing us to
specify a non standard section extruded specially for the project. The staves
have an anodised finish which worked out to be cheaper and more attractive
than polyester powder coating. Anodizing increases corrosion resistance and
wear resistance, while providing the opportunity to introduce a colour to the
finish of the aluminium.
Once installed, the bases of the staves were buried under a layer of pebbles
contained within timber edgings with topsoil reinstated alongside. The
ground will be rotavated and seeded in the spring.
Designer: Ian McChesney
Engineer: Atelier One
Fabricator: Chris Brammall Ltd
Client: Middlesbrough Council
Contract duration: 9 months
Installation time: 10 days
Cost: £116,000