Picasso’s ceramics at the Louisiana Museum of Modern Art

Within the Picasso's year, in Copenhagen on show more than ​160 of the artist’s original ceramic artworks from the period 1947-1964.

After dedicating several exhibitions to Picasso’s works over the years, providing a window on special periods or themes in his oeuvre, this year the Louisiana Museum of Modern Art in Humlebæk, just outside Copenhagen, hosts a major exhibition of the artist’s lesser-known pottery artworks. Appropriately titled “Picasso: Ceramics”, the show has been organized in collaboration with the Musée national Picasso-Paris and features more than ​160 of the artist’s original, playful creations, focusing primarily on ceramic artworks from the period 1947-1964. Picasso approached ceramic work in the summer of 1946, at the age of sixty-six years old. Excited at the prospect of exploring the technical potential of the various ceramic materials, oxides, and glazes, he started acquiring the traditional techniques under the tutelage of Suzanne and Georges Ramié and the craftspeople at their Madoura studio in Vallauris, in the South of France. 

Img.1, Picasso, Chouette, 27.3.1957 Ugle, Musée National Picasso, Paris Courtesy Succession Picasso / VISDA 2018 Ph: RMN-Grand Palais (Musée national Picasso-Paris) / Gérard Blot
Img.2, Picasso ceramics, 01.02.-27.05. 2018, installazione, Louisiana Museum of Modern Art, Humlebaek, DK Foto Poul Buchard / Brøndum & Co
Img.3, Pablo Picasso, Tête de chèvre, 1956 Gedehoved, Privateje, Courtesy Succession Picasso / VISDA 2018
Img.4, Cabri couché, 1947-48, Liggende gedekid, Musée Picasso, Antibes, Courtesy Succession Picasso/ VISDA 2018
Img.5, Pablo Picasso. Femme à l'amphore, okt. 1947-48, Kvinde med amfora, Musée national Picasso-Paris, Courtesy Succession Picasso/ VISDA 2018. Photo: RMN-Grand Palais (Musée national Picasso-Paris) /Gérard Blot
Img.6, Picasso ceramiche, 01.02.-27.05. 2018, installazione, Louisiana Museum of Modern Art, Humlebaek, DK Foto Poul Buchard / Brøndum & Co
Img.7, Picasso, Oeil et taureaux, 20.5.1957 Øje og tyre Musée national Picasso-Paris. Courtesy Succession Picasso / VISDA 2018. Photo: RMN-Grand Palais (Musée national Picasso-Paris) / Béatrice Hatala
Img.8, Picasso, Vase à deux anses décoré d'une tête de faune et d'une chouette, 14.2.1961, Vase med to hanke dekoreret med hoved af en faun og ugle. Musée national Picasso-Paris. Courtesy Succession Picasso/ VISDA 2018. Foto: RMN-Grand Palais (Musée national Picasso-Paris) /Gérard Blot
Img.9, Picasso dipinge”Picador et torrero” Madoura-værkstedet i Vallauris, 23.3.53 Photo: Edward Quinn. © Succession Picasso/ VISDA 2018
Img.10, Poisson, 1951. Fisk Fundación Almine y Bernard Ruiz-Picasso para el Arte. Courtesy Succession Picasso/ VISDA 2018 Photo: FABA / Marc Domage
Img.11, Cruche provençal dite "Bourrache": Serpent, 31.7.1952 Provencalsk kande, "Bourrache": Slange Privateje, Courtesy Succession Picasso/ VISDA 2018
Img.12, Picasso, Trois poissons, 1957. Tre fisk, The Albertina Museum. The Batliner Collection, Courtesy Succession Picasso/ VISDA 2018
Img.13, Picasso ceramiche, 01.02.-27.05. 2018, installazione, Louisiana Museum of Modern Art, Humlebaek, DK. Photo Poul Buchard / Brøndum & Co
Img.14, Picasso, Corrida, Senza data (1948) Bullfight The Hakone Open-Air Museum, Japan, Courtesy Succession Picasso/ VISDA 2018

Despite his great age, the prolific painter would go on to make some four thousand clay pieces over the next two and a half decades, including plates painted with bullfight motifs or embellished with three-dimensional ceramic food and cutlery, anthropomorphic jugs and vases put together as female figures, and a collection of owls, doves, goats, and other creatures.

  • Picasso: 
Ceramics
  • Louisiana Museum of Modern Art
  • Helle Crenzien e Kirsten Degel
  • 1 February - 27 May 2018
  • Gammel Strandvej 13 Humlebæk, Danmark