A new architectural project that goes beyond the areas of product and interior design, entering the realm of what is defined as spatial design, examining the relationships between people and places, and the flexible manner in which the first use the latter.
In the Ancona branch, the entrance-reception area that leads to the operational section of the office
Photo Generali
Biella Via Carso branch. In the foreground, an informal lounge and, in the background, the break area. On the right, one of the soundproofed lounges for activities that require privacy
Photo Archetipo Creativo atmosphere
Biella Via Carso Branch. Covering around 700 sqm, the branch is set around a central plaza in which a large circular reception area serves as a hub for the various paths. To the left, glass partitions maintain visual contact between the plaza and the agents’ offices
Photo Archetipo Creativo
Genoa Piazza Dante branch. The ground floor, with the reception and operational area and, on the right, a lounge with informal seating
Photo Sandro Ariu
Genoa Piazza Dante branch. The first floor houses the offices for procedures that require privacy, and looks out over the ground floor, creating a bright and airy atmosphere
Photo Sandro Ariu
Genoa Piazza Dante branch. A lounge fitted with an informal seating system
Photo Sandro Ariu
G-Hall in Mogliano Veneto (Treviso). On a space of around 70 sqm, it expresses all the principles of the Generali format. Inside, a hybrid open space of approximately 20 sqm houses the wardrobe, toilets and utilities
Photo Generali
G-Hall in Mogliano Veneto (Treviso). The ample windows create a visual and functional connection with the adjacent external space, which is equipped with small modular seats and has been designed to host events
Photo Generali
Venezia Mestre Galleria Teatro Vecchio branch. The open space, which also includes an office for more confidential meetings. The statue in the background is from the series Les voyageurs, by the French sculptor Bruno Catalano
Photos Alberto Ardit (Unframed Studio)
Venice Mestre Galleria Teatro Vecchio branch. Another view of the open space
Photos Alberto Ardit (Unframed Studio)
Venice Mestre Galleria Teatro Vecchio branch. The glass entrance to the branch, inspired by the principle of transparency
Photos Alessandro Orlandini
Venice Mestre Galleria Teatro Vecchio branch. The area dedicated to one-to-one and small meetings furnished with seating from the Le Bambole series by Mario Bellini
Photos Alessandro Orlandini
Venice Mestre Galleria Teatro Vecchio branch. The operational area, in the innermost part of the branch. The red suspended structure is made of sound-absorbing material
Photo Alessandro Orsini
In the Ancona branch, the entrance-reception area that leads to the operational section of the office
Photo Generali
Biella Via Carso branch. In the foreground, an informal lounge and, in the background, the break area. On the right, one of the soundproofed lounges for activities that require privacy
Photo Archetipo Creativo atmosphere
Biella Via Carso Branch. Covering around 700 sqm, the branch is set around a central plaza in which a large circular reception area serves as a hub for the various paths. To the left, glass partitions maintain visual contact between the plaza and the agents’ offices
Photo Archetipo Creativo
Genoa Piazza Dante branch. The ground floor, with the reception and operational area and, on the right, a lounge with informal seating
Photo Sandro Ariu
Genoa Piazza Dante branch. The first floor houses the offices for procedures that require privacy, and looks out over the ground floor, creating a bright and airy atmosphere
Photo Sandro Ariu
Genoa Piazza Dante branch. A lounge fitted with an informal seating system
Photo Sandro Ariu
G-Hall in Mogliano Veneto (Treviso). On a space of around 70 sqm, it expresses all the principles of the Generali format. Inside, a hybrid open space of approximately 20 sqm houses the wardrobe, toilets and utilities
Photo Generali
G-Hall in Mogliano Veneto (Treviso). The ample windows create a visual and functional connection with the adjacent external space, which is equipped with small modular seats and has been designed to host events
Photo Generali
Venezia Mestre Galleria Teatro Vecchio branch. The open space, which also includes an office for more confidential meetings. The statue in the background is from the series Les voyageurs, by the French sculptor Bruno Catalano
Photos Alberto Ardit (Unframed Studio)
Venice Mestre Galleria Teatro Vecchio branch. Another view of the open space
Photos Alberto Ardit (Unframed Studio)
Venice Mestre Galleria Teatro Vecchio branch. The glass entrance to the branch, inspired by the principle of transparency
Photos Alessandro Orlandini
Venice Mestre Galleria Teatro Vecchio branch. The area dedicated to one-to-one and small meetings furnished with seating from the Le Bambole series by Mario Bellini
Photos Alessandro Orlandini
Venice Mestre Galleria Teatro Vecchio branch. The operational area, in the innermost part of the branch. The red suspended structure is made of sound-absorbing material
Photo Alessandro Orsini
This is the wide-ranging programme that Generali Italia has undertaken with the decision to renew and unify the image and the operation of its Branches, of which there are more than 1,200 nationwide.
The task of creating the new Generali format has been assigned to Federica Fulici of the Fulicidesign firm in Venice, aided by the companies Archiutti of Treviso and Sedus Italia for prototypes and supplies.
In the renovated Branches, the welcome has been studied to favour encounters and guest comfort, avoiding solutions typical of the past that are characterised by a clear physical division between the spaces dedicated to clients and those for staff.
The novel conception of space, in terms of furniture and fittings, is in line with the highest standards of performance, and also takes into consideration a wide range of intangible aspects that contribute to increasing the overall quality of the atmosphere. The layout has been designed not only to redefine the various areas but also to modernise and rationalise practices, rethinking front- and back-office activities, and both in-person and digital services.
The end result is a smart working and interaction space, in which paths of movement are extremely fluid and intuitive, thanks to osmosis between the various functional areas and to visual aids to orientation.
Furnishing and layout have been studied in accordance with an informal revision of operational relationships and practices, and with an all-encompassing welcome for clients, beginning with the ample transparent facades that, wherever possible, reduce the barrier between outside and inside, in line with the metaphor of the glass house.
The new model welcomes the client from the moment they enter, with any waiting no longer a tiring waste of time standing, but rather an initial moment of relation. From the comfortable and colourful seats, it is possible to receive the latest news from the company, get information on recent initiatives or search for information of personal interest. The spaces are light and well-lit, studied to facilitate interpersonal interaction. The red carpet at the entrance is not merely decorative; it immediately leads guests, avoiding any initial uncertainty and therefore the need to “guess” where to go.
For face-to-face dialogue with branch representatives, modules have been created to protect privacy and optimise an open and direct rapport with the operator.
One decisive element for the success of the project was modularity. There are no fixed layouts but rather a series of solutions that can be adapted to momentary requirements; a small meeting to illustrate a product, a risk or a form of coverage.
This is a form of efficient use that results in a reduction of the spaces needed for operations, and therefore in considerable energy savings, also thanks to a study into signage that uses low-energy materials.
A final mention is due to the use of colour. As well as the Generali Italia red, Fulicidesign has also chosen to use the other colours provided for by brand guidelines. This has allowed for the clear differentiation of the various areas through the application of colour. The coherence between the layout design and the furnishings thus expresses a clear communication strategy; the two fields of intervention interact, efficiently bringing forth the brand philosophy and its precise identity.
Opening image: the Biella Via Carso Branch