This year, its curator Eggarat Wongcharit has delved into the very spirit of Thai craftsmanship and added a new subtitle "Slow Hand Design: Interweaving the Spirit of Thai Design". The holistic approach behind the manufacture of every single product in the East is reflected in the technique adopted for these eclectic objects, be they simple spoons, elaborate seating, or lamps created with natural silk cocoons that are delicate to the touch. The spotlight is on this people's distinctive attitude to the concept-product and its development to industrial levels, in light of industry's recent accelerated advance towards mass-produced design, a combination of age-old tradition and modern technology while also holding on to Thailand's wonderful past.
The second exhibition on this country's contemporary design, promoted by the Thai government, repeats the original title but its focus is firmly directed at an important aspect of the way design is conceived and developed in modern Thailand. The aim of "Slow Hand Design: Interweaving the Spirit of Thai Design" this time is to explore the direction in which its variegated design is moving, i.e. the crucial complicity between machine-industry and manual action (human laws) and its optimisation thanks to technological contributions dictated by the times. It will, on the one hand, upgrade the national industry and, on the other, engage human resources but it will also leave its mark on the country as a whole.


The spotlight is on this people's distinctive attitude to the concept-product and its development to industrial levels, a combination of age-old tradition and modern technology while also holding on to Thailand's wonderful past

As they say, Good Design! Maria Cristina Didero
1.jpg.foto.rmedium.jpg)

FADE Family is the new approach to outdoor living
The latest addition to the PLUST Collection is a line of furniture inspired by the texture of white stone, which illuminates as evening falls.