
FADE Family is the new approach to outdoor living
The latest addition to the PLUST Collection is a line of furniture inspired by the texture of white stone, which illuminates as evening falls.
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Magazzino Italian Art, a museum, research center and main promoter of Italian art in the United States, announced the expansion of its headquarters in Cold Spring, New York, thanks to the project of architects Campo Baeza and Miguel Quismondo (who’s the first building’s author).
The new pavilion will mesure 1200 square meters, it will be adjacent but independent from the main one, and will provide additional space dedicated to exhibitions, events and educational programs. While two galleries on the first floor will be used as an exhibition space, a third one on the lower floor will be used to collect small sculptures, Murano glass and ceramics. There is also a multifunctional room to host film screenings, conferences and talks.
Privileged, according to the design concept, will be the dialogue between art, architecture and the surrounding landscape, thanks to the multitude of windows and skylights, which permeate the environment with natural light.

Magazzino Italian Art, Cold Spring, NY
Courtesy of Magazzino Italian Art, New York. Photo Javier Callejas.

Magazzino Italian Art, Cold Spring, NY
Courtesy of Magazzino Italian Art, New York. Photo Javier Callejas.

Magazzino Italian Art, Cold Spring, NY
Courtesy of Magazzino Italian Art, New York. Photo Javier Callejas.

Magazzino Italian Art, Cold Spring, NY
Courtesy of Magazzino Italian Art, New York. Photo Javier Callejas.

Magazzino Italian Art, Cold Spring, NY
Courtesy of Magazzino Italian Art, New York. Photo Javier Callejas.

Magazzino Italian Art, Cold Spring, NY
Gilberto Zorio, Stella, 1978, mixed media on paper (Left); Gilberto Zorio, Stella, 1991, aluminum, javelin, iron, lamp (Right).
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Giulio Paolini, Amore e Psiche, 1981, photo emulsion on canvas, stretchers, colored fabrics (Left); Mario Merz, Pittore in Africa (Painter in Africa), 1984, iron, wire mesh, neon (Right).
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Jannis Kounellis, Untitled, 1989, wood column, shoes, lead insoles
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Mario Merz, From Continent to Continent, 1993, slate, neon, metal structure (Center); Jannis Kounellis, Untitled, 2001, steel sheet, oil lamps, books, lead, jute, blanket, tin (Left); Jannis Kounellis, Untitled, 1986, iron, lead, oil lamp (Right)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Michelangelo Pistoletto, Adamo ed Eva, 1962-1987, silkscreen print on polished stainless steel. In the reflection, Luciano Fabro, Efeso II, 1986 (Foreground); Alighiero Boetti, Oggi nono giorno dodicesimo mese dell'anno 1000 nove 100 ottantotto, 1988 (Background)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Giulio Paolini, Mimesi, 1976-1988, two plaster casts, two wooden bases (Center); Mario Merz, Untitled, 1982, taxidermic reindeer head, neon Fibonacci numbers (Left); Giulio Paolini, De Pictura, 1977-1978, pencil, collage, and nails on prepared canvas (Right).
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Luciano Fabro, Italia all’asta, 1994, painted iron, metal rod
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Giulio Paolini, Saffo,1981, photographs and plexiglass (Center); Giovanni Anselmo, Senza titolo, 1990, granite slab, gunnysack, steel cable, and slipknot (Left); Alighiero Boetti, Clino, 1966, enamel on wood (Right); Alighiero Boetti, Mazzo di tubi, 1966, PVC pipes. (Far Right)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Luciano Fabro, Efeso II, 1986, marble and steel cable (Hanging center); Michelangelo Pistoletto, Art International (ritratto di Maximilian von Stein), 1968, silkscreen print on polished stainless steel (Left); Mario Merz, Che fare?, 1968-1973, neon, wax, aluminum pot, copper handles (Left Floor); Michelangelo Pistoletto, Adamo ed Eva, 1962-1987, silkscreen print on polished stainless steel (Right)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Marco Anelli, Costruendo Magazzino: Calcestruzzo #02, 2017, Archival pigment print
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Luciano Fabro, Efeso II, 1986, marble and steel cable. (Hanging center); Luciano Fabro, Due nudi che scendono le scale, 1987-1989, Bardiglio marble (Far Left); Alighiero Boetti, Caterina e Alighiero, 1989, embroidered tapestry (Far Left Wall); Michelangelo Pistoletto, Sfera di giornali, 1966-1996, newspapers on wood base (Left); Michelangelo Pistoletto, Sfera di giornali, 1962-2009, silkscreen print on polished stainless steel (Left wall); Michelangelo Pistoletto, Art International (ritratto di Maximilian von Stein), 1968, silkscreen print on polished stainless steel (Right wall); Mario Merz, Che fare?, 1968-1973, neon, wax, aluminum pot, copper handles (Right Floor); Michelangelo Pistoletto, Adamo ed Eva, 1962-1987, silkscreen print on polished stainless steel (Far Right)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Luciano Fabro, Eos (L’Aurora), 1998, two elements: Fior Di Pesco Carnico marble and Marquina marble. Jannis Kounellis, Senza titolo, 2003, steel, burlap sacks, charcoal, coat, and hooks (Back Wall); Luciano Fabro, Basta la vista, 1988, perforated metal structure, brass plate, and metal chain (Right)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Giulio Paolini, Mimesi, 1976-1988, plaster casts on wood bases (Center); Giulio Paolini, Appunti per la descrizione di un quadro datato 1972, graphite on prepared canvas (Left); Mario Merz, Senza titolo, 1982, taxidermic reindeer head and neon (Back Wall)
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Giulio Paolini, Mimesi, 1976-1988, plaster casts on wood bases
Courtesy of Magazzino Italian Art, New York. Photo Marco Anelli © 2017

Magazzino Italian Art, Cold Spring, NY
Image JC Bragado & J Mingorance. Courtesy of Magazzino Italian Art

Magazzino Italian Art, Cold Spring, NY
Image JC Bragado & J Mingorance. Courtesy of Magazzino Italian Art

Magazzino Italian Art, Cold Spring, NY
Image JC Bragado & J Mingorance. Courtesy of Magazzino Italian Art

Magazzino Italian Art, Cold Spring, NY
Image JC Bragado & J Mingorance. Courtesy of Magazzino Italian Art

Magazzino Italian Art, Cold Spring, NY
Image JC Bragado & J Mingorance. Courtesy of Magazzino Italian Art

The lounge moves outdoors
Pedrali presents a collection of padded outdoor furniture designed to transform exterior space into elegant and functional extensions of the home.
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